1. The period from Gaozu to Jingdi was the initial period of Han Dynasty literature, represented by Jia Yi and Mei.

2. The period from Emperor Wu of the Han Dynasty to Xuan Di was the heyday of literature in the Han Dynasty. During this period, the new style of prose was mature and Historical Records was completed. Representative writers are Sima Xiangru and Sima Qian.

3. The period from Yuan Di to the Eastern Han Dynasty and the Emperor Wudi of the Han Dynasty was the heyday of the literature of the Han Dynasty. The second climax of ci and fu creation appeared, and Hanshu was completed. Representative writers are Yang Xiong and Ban Gu.

4. The period from Andi to Lingdi is the transition period of literature in the Han Dynasty, with lyric short poems appearing and five-character ancient poems maturing. Representative writers include Zhang Heng and other unknown poets.

Extended data:

Historical prose and political prose are the most prominent prose in Han Dynasty. Sima Qian's Historical Records reflects the history with people as the center, creates a new style of biographical history books and opens up a new era of biographical literature, which is the most brilliant achievement of the Han Dynasty. Han Shu written by Ban Gu in the Eastern Han Dynasty is equally famous.

There are many famous political works, such as On Tong Qin and Public Security Policy by Jia Yi, On Gui Su by Chao Cuo, On Salt and Iron by Huan Kuan, On Balance by Wang Chong, On Hidden Husband by Wang Fu and Song of Eternal Sorrow by Zhong Changtong.

Culturally, the literature of the Han Dynasty has a strong tradition of restoring ancient ways, which is related to the academic atmosphere of the whole Han Dynasty, which takes the Five Classics as its ancestor, takes sages as the criterion, attaches importance to the inheritance of learning from others, and attaches importance to the study of chapters and sentences. This has also caused some literary historians in later generations to criticize the two-way mode of literature in Han Dynasty, that is, the literati's literary concept under Confucian orthodoxy is retro and conservative, and the natural literary concept under Taoist heresy is innovative and enterprising.

Yuefu Poetry and Wuyan Poetry are the most remarkable achievements in the Han Dynasty. Yuefu poetry in the two Han Dynasties is a new style of poetry after The Book of Songs and Songs of the South. The famous Peacock Flying Southeast is a narrative novel in Yuefu Poetry, and later generations called it "Three Wonders of Yuefu" together with Mulan Poetry in the Northern Dynasty and Wei Zhuang's Poem of Fu Qin in the Tang Dynasty. Nineteen Ancient Poems represents the highest achievement of five-character poems in Han Dynasty.

Han Fu is another new style of literature in Han Dynasty. It is between poetry and prose, with both verse and prose. It is a poetic prose, and it is a poetic prose. It is eclectic and diverse in style, such as The Book of Songs, Songs of the South and pre-Qin prose. It has formed a comprehensive literary style with great capacity and expressive force.

Jia Yi's Ode to Hanging Qu Yuan is a prose poem, Mei Cheng's Seven Hair is a symbol of the formal formation of Han Fu, and Sima Xiangru's Fu is the peak of Han Fu. Later, Ban Gu's "Two Dues Fu" and Zhang Heng's "Two Dues Fu" are both representative works of Han Da Fu. Zhang Heng's "Returning to Tianfu" also opened a precedent for lyrical small fu.

Baidu Encyclopedia-Literature of Han Dynasty