After the emergence of the slave society, China Wushu experienced a long process, and it was not until the middle of the Ming Dynasty that the embryonic form of modern Wushu was gradually revealed. Before the mid-Ming Dynasty, martial arts was dominated by military array killing. According to "Zhengqi Hall Hidden in the Newly-built Stone Monument of Shifang Temple", in 156 1 year, when he was ordered to go south, he took the Shaolin Temple in Songshan and chose two eminent monks, Pu Cong, to go south with him. On his way to the south, he handed the sword sutra to the two monks. Three years later, Zong Qing and Pu Cong returned to Songshan.
The publication of Sword Sutra makes a relatively complete and detailed summary of this kind of boxing equipment with the killing technology of the army array as the main style in theory, and puts forward that "just before others, take advantage of others". Theory; It is also proposed that "the front foot should be curved and the back foot should be straight." Take a break and devote yourself to your work. "point of view; It laid the theoretical principle of "slow attack" of southern martial arts. Therefore, from the middle of the Ming Dynasty, most of the development and evolution of southern Shaolin boxing followed the southern style of Sword Sutra, mainly talking about galloping horses.
The dynamic principle of Yongchun White Crane Boxing is that Fang Qiniang combines the power of "flapping wings and jumping" of white cranes with South Shaolin piles and horses to form the power of summoning up and down, which is different from other South Shaolin boxing methods. This vigorous feature follows the theory of "just before other forces, use other forces flexibly" in Sword Sutra. Continue the piling horse style dominated by galloping of South Shaolin Boxing School; Even the stick method and palladium method inherited from Yongchun area are exactly the same as the sword sutra, so the style gene of Yongchun Baihequan comes from the sword sutra.
What constitutes the health gene of Yongchun Baihequan is the method of absorbing the "concentration and pranayama" of the white crane.
Mountains will die if they are lifeless, water will float if they are lifeless, and people will die if they are lifeless. Where is the hero? Therefore, boxers of all ages attached great importance to the cultivation of internal qi. White crane is a very spiritual bird, quiet and carefree, paying attention to pranayama and saving energy; It moves like thunder and anger, and the thunder pushes cyanide. At that time, Fang Qiniang absorbed the method of "concentrating on pranayama" from Baihe, and under the guidance of the theory of yin and yang in Zhouyi, she formed her own methods of pranayama, qi-fixing and breath-guiding, and formed her own unique health-preserving genes. Just as the ancient boxing spectrum of Yongchun Baihe Boxing ... "The Truth of Baihe Stone" said, "The child belongs to the night yin, the noon belongs to the yang, and the force of meridians is the force of yin and yang. If yin and yang move, the meridians are like gods, which can be divided into left and right sides. When yin and yang are still, they will observe the scriptures, put Tibet first, and stand by when moving. Scholars and teenagers can strengthen their bodies, cultivate sexual desire in their prime, be reasonable, participate in asking for help, and prolong their lives in their later years. " Same. Yongchun White Crane Boxing has become a major feature of Yongchun White Crane Boxing because of its unique ability of regulating breath, fixing qi and guiding breath, strengthening the movement of clan qi in the body, accumulating strength in the abdomen, and promoting the hands and feet to be dissolved in boxing routines and practiced repeatedly in vitro. In addition, the historical facts of the longevity of Yongchun Baihe boxing in past dynasties fully prove that Yongchun Baihe boxing is a kind of boxing with high fitness value.
Fang Qiniang became an eternal master and apprentice in the early years of Qing Emperor Kangxi.
According to the research materials I have seen so far, Fang Qiniang was the daughter of Fang Fang, a Shaolin boxer outside the north gate of Funing House in the late Ming and early Qing Dynasties. He practiced southern Shaolin boxing with his father Zhang Gong since childhood. Later, he took the strength of shaking the wings of the white crane and blended with the piles and horses in South Shaolin, forming the power of summoning up and down, which was different from other South Shaolin boxing methods. Yan Qidan, a native of Yongchun, and Zeng Si, a disciple of Lin, a famous minister of the Qing Dynasty, went to Funing House to compete with Fang Qiniang, who defeated them. Zeng Si practiced martial arts with Qi Niang and later got married. During the reign of Emperor Kangxi, Fang Qiniang and his wife committed the crime of banishing Yongchun four times, and opened museums in Houmiao (namely Jinfeng Temple) outside the west gate and in Gufang area. Zheng Ming, a native of Yongchun Feather, refused to accept Fang Qiniang and was defeated by Fang Qiniang. His last words ordered his son Zheng Lishi to follow Fang Qiniang. Fang and Zeng were twenty-four handsome teachers in Yongchun, Lin Huai and Yao Hu. (For details, see Fang Shang, Fang Qiniang, Zeng Si, Zheng Ming, Zheng Li, etc. See "Yongchun County Records", "Biography" and "Yongchun Zhengjiapu") According to the age records of the above sages in the genealogy, it is inferred that Fang Qiniang entered the early years of Kangxi. Combined with combing the three genes that promote the formation of Yongchun Baihequan, the basis for identifying Yongchun Baihequan is obtained, and the source of Yongchun Baihequan inheritance is sorted out.