Qiu Yushan Cultural Park is known as "Lanting in the North of the Yangtze River". It is conceivable that this is the place where ancient people set up altars to pray for rain. It seems to be a land of feng shui. At present, four outstanding contemporary artists have been born here: Lin Sanzhi, Xiao Xian, Gao Ershi and Hu Xiaoshi. Lin Sanzhi, formerly known as Lin Yilin, was born in 1898 and died in 1989 at the age of 92. His ancestral home was Qikesong Village, Wujiang, Anhui, and later his family moved to Jiaban Village, Wujiang, Jiangsu. The two villages are not far apart. Lin Sanzhi's great-uncle has made great efforts since childhood, and joined the army at the age of 18. Because of his repeated military exploits, his later Wujiang River is a place with a long-standing reputation in history. More than 2,000 years ago, Xiang Yu, the overlord of the Western Chu Dynasty, was defeated by Wujiang River, and the director of Wujiang River prepared a boat to send him across the river. Xiang Yu committed suicide because he was ashamed to meet his elders in Jiangdong, leaving behind the historical site "Wujiang Overlord's Ancestral Hall", where many famous people were born, such as Zhang Ji, a great poet in Tang Dynasty, Zhang Xiaoxiang, a great poet in Song Dynasty and Zhang Jizhi, a great calligrapher.

Forest Pavilion is a garden-like exhibition hall with typical architectural style of Ming and Qing Dynasties. When we entered the garden gate, the first pavilion we saw was called "Shuyun Pavilion". "Cloud" means bamboo. It is elegant to tie bamboo into bundles. The inscription of Lin Sanzhi Painting and Calligraphy Exhibition Hall is displayed in the exhibition hall. As can be seen from the inscription, the foundation stone of Lin Dian was 1988, and the opening was 1992. Lin Sanzhi himself donated 265,438+00 fine paintings and calligraphy, as well as Gu Yan, Zhuangchang inkstone and Lv Liuliang moth-eaten inkstone. He was a man with lofty ideals in the late Ming and early Qing Dynasties, that is, the father of the heroine in martial arts novels. His inscription was written by Yu Law Firm, the son-in-law of China contemporary landscape painting master Li Keran. On the left hand side of the road leading to the stele gallery, there is a pool, next to which is a stone tablet with the word "Mo Chi" written on it. Speaking of these two words, we have to mention Dai Zongbao, the former county party secretary of Jiangpu. It was during his term of office that he opened the crowd and built a park, leaving us a valuable cultural heritage. There are 43 works in the stele gallery. The first two works were written by two Chinese and Japanese calligraphers respectively, and the last 465,438+0 are the representative works of Zulin Lao's calligraphy with different styles in different periods. Let's take a look at the inscription by Mr. Zhao Puchu, the former chairman of the Chinese Buddhist Association, which reads: "You don't need to rely on lining paper to know the immortal bones, just look at the piles of colored glasses. The wind and rain rustled and the pen fell, and the spirit jumped to see bloom. The solemn hue is three unique, and the old chapter sees the hegemony. After three years of feeling that Weng Qin brushed, I am ashamed that I did not leave Egypt. " It is not difficult to see that the first four sentences are Zhao Puchu's praise for Lin Sanzhi's superb calligraphy skills, and the last four sentences are that Lin Sanzhi is not only good at calligraphy, but also good at poetry, books and paintings. We all know that Zhao Puchu was the former chairman of the Chinese Buddhist Association. But he said that after three years of correspondence between you and me, I found that my mind was not completely detached from the dust like you. It can be seen that Lin Sanzhi not only has superb painting and calligraphy skills, but also has a noble spiritual realm. You may find the handwriting on this second tablet strange. Here I want to introduce the time and reason why Lin Sanzhi became famous. Before 1970s, Lin Sanzhi was only famous locally, but not known to the world. 1August, 972, in order to celebrate the resumption of diplomatic relations between China and the DPRK, People's Magazine prepared a special edition, featured modern calligraphy works, and extensively collected excellent calligraphy works throughout the country. At that time, a man named Tian Yuan in the magazine had contacted Lin Sanzhi in his early years, and he asked Lin Lao to write a work to participate in the collection. In this way, a cursive banner of Chairman Mao's poem "Dawn in the East" was sent to Beijing in Lin Sanzhi. Afterwards, Tian Yuan wrote a doggerel, "The Wujiang River is scattered in the forest, deaf and semi-disabled, three poems are absolutely calligraphy and painting, one pool is returned, three hats are lifted, and Lifu's eyes turn. The meaning of the poem is: There is an old man named Lin Sanzhi by the Wujiang River, who is deaf, dumb and semi-disabled, and is good at poetry and calligraphy. One winter, he took a bath and accidentally fell into boiling water. Later, he was rescued in Gulou Hospital. Lao Lin joked that the queen mother refused to accept me and carved a seal of "the return of Yaochi". In Beijing, after reading Lin Sanzhi's handwriting, Qi Gong studied it carefully for a while, then hung it on the wall and took off his hat three times. After reading Lin Sanzhi's handwriting, Deng Lifu rolled his eyes and gave a thumbs-up and said, "This is the word. Zhao Puchu read Lin Sanzhi's handwriting and said, "Give my regards to old Lin, hoping to get his Mo Bao." . "Yao, Er and San" refers to the first, second and third leaders in the Revolutionary Committee. In this way, Lin Sanzhi's words were sent to Japan as the front page of the special issue, which soon caused great repercussions in Japan. 1984, a delegation of Japanese calligraphers led by the most famous Japanese calligrapher Sugiyama visited China and asked to see Lin Sanzhi by name. At that time, the Nanjing Municipal Government arranged for Lin Sanzhi and Qingshan Shanshan Shan Yu to meet at Mochou Lake in Jintang. During the whole conversation, Shan Yu always claimed to be born late, only to know later. After the conversation, they wrote an inscription for each other as a souvenir, and Shan Yu wrote the words "The sage's law is here". Since then, Lin Sanzhi's name "Cao Sheng" has become famous at home and abroad.

In the 1970s, Lin Lao's representative cursive script was On Books by Huai Su, a cursive writer in the Tang Dynasty. "I am determined to have a novel, but I am thin and half-inkless. I am drunk and write two or three lines, but I can't write a book when I wake up." It seems that it is really bad to write weeds without drinking.

The couplet "Closing hillsides to facilitate afforestation is the most important thing, and now we should engage in farmland water conservancy" was written by Lin Lao when he was the director of Jiangpu County Agriculture Committee in 1953. Lin Lao should have felt deeply when he wrote this word. Here is a short story: since ancient times, people have called the low-lying areas on both sides of the Yangtze River polder areas, and Lin Lao's hometown is a typical polder area. 193 1 year, the Yangtze River suffered a once-in-a-century flood and many polder areas were affected. 1932 In the spring, the Kuomintang government set up a disaster relief committee, and Jiangpu also set up a disaster relief branch. The villagers elected Lin Sanzhi. Because Lin Sanzhi was born with honesty and frankness, he couldn't give gifts to officials, so people kept dragging him away. In a rage, he found his younger brother Song, who was then the director of the Disaster Relief Committee. Song Lu is a very accommodating person. He advised Lin Sanzhi not to worry and go back to get relief food early. Because of Song's call, he returned to Jiangpu, and those officials quickly did it for him. I am very grateful to Song for this. At the age of 37, after listening to Mr. Huang's admonition that it is more important to learn from others, he planned to travel to Wan Li. At the same time, he knew that this trip might be very risky, because he always remembered Song's help to the villagers, so he planned to visit Song. Too bad he didn't see it. Later, he wrote a poem, "The wind and rain are bleak and shocking, and he still remembers the feelings of last year sadly." Talk about some sour ink and send it to Jiangnan Song Department. "Words can't describe the helplessness of the current situation and the infinite gratitude to Song. There is also a monument here, which is a new poem "To the Japanese Calligraphers' Delegation to China" written by the Japanese Calligraphers' Delegation when they visited Lin Lao in Nanjing in 1973. The volume of Lin Sanzhi's cursive poetry anthology "Friendship between China and Japan" was inscribed by Qi Gong, the former chairman of the China Calligraphy Association. "The two unique poems are written by Fei Xinwo, a famous calligrapher", which means that both poems and books are wonderful. This cursive song of Li Bai was composed by Lin Laoyu 1974 with his right hand holding a pen and three fingers.

The Pavilion in the Woods-Sanmushan House, with a flat forehead, was inscribed by Xiao Xian, the most outstanding contemporary female calligrapher. The bronze sculpture in the center of the hall is Lin Sanzhi, followed by a couplet inscribed by Zhao Puchu. "The male pen reflects the ages, and the giant river is not the source." Here you can also see tourist maps of Lin Sanzhi and Wan Li. 1934, he traveled across seven provinces on foot, with a journey of more than 18,000 miles. He had to draw more than 800 poems and compose 160 poems, which made Lin Lao's poetry, calligraphy and painting art enter a new realm and laid a solid foundation for his later artistic development. The longest part of the collection is his self-created Poems on Calligraphy, which reflects Lin Lao's understanding and experience of calligraphy. The ancient ginkgo tree depicts three thousand-year-old ginkgo trees in Huiji Temple, tangquan town. Legend has it that it was planted by Liang Zhaoming, Prince of Liang Wudi in the Northern and Southern Dynasties. It has a history of more than 1000 years, with a total length of 52 1 word, which is the one with the largest number of words in this collection.

On the second floor of the mountain house, there is the beautiful soil of Jiangpu Spring, which is known as the "treasure of the town hall" of the forest hall. The picture was created on 1955. 1954 A serious flood occurred in Jiangpu. Lao Lin and the villagers worked day and night to protect the dam. Thanks to everyone's efforts to rescue the dike, they survived. In the second year, Lao Lin created this painting according to what he saw and heard, which reproduced the labor scene when repairing the dike. * * * depicts 635 laborers of all kinds who pick and tamp soil.

"Since the magic show, unwilling to ordinary. Xi Xi 'an Xi Sheng Xi Jingu, without me, without owner or slave. An ethereal spirit seeks not to be ignorant, and several wonderful phases realize the truth. The work "How much interest nature leaves, how much better than the green hills" was created by Zhang Er Xuan Paper when Lin Lao was 83 years old. It is the largest in the collection. Lin Lao only wrote two such masterpieces in his life. This self-created poem expresses Lin Lao's ambition to climb the artistic peak wholeheartedly at that time.

There is a stone tablet in the White Horse Pavilion in the museum. Friends who love calligraphy must not miss this opportunity. "Life must be so, why ask rain or shine. Dried Kunqi and Li Ding Soup in Turbulence. It began to rain at the mountain pavilion, which was the affection of the host. Before the prosperity of Goose Lake, Jiangcheng killed many people. The cold wind blows short and it rains long in Mao Mao. God left luggage, and snuff likes beds. Clothes will be dressed properly, just like in the Tang Dynasty. What is the limit of spring news? Plum blossoms are constantly fragrant. " The postscript to the poem said, "On the 18th day of the first month of Guimao year in Chenghua, Mr. Nan Hai and Lou, Mr. Ding Shan and Mr. Shi Dong wrote couplets and sent them to abbot Jing Jing and Shi Zhai." As you can see, this poem was written by Chen Xianzhang, and it was the collaboration of four people. Zigong Shop, Chen Xianzhang,No. Shizhai, a native of Baisha Village, Xinhui City, Guangdong Province, is known as Mr. Baisha. Because his family was poor since childhood and couldn't afford paper and pens, he tied a bundle of thatch and practiced calligraphy on the beach. After learning that, he still used a thatched contemporary pen. Therefore, he was called "Maolong" at that time, and only three of his works survived in the world, which were collected by Beijing Palace Museum, Shanghai Museum and Guangdong Museum respectively. Experts commented on his works as follows. Among them, the word "move" stands for "turbulent and dry", the word "come" stands for "mountain pavilion rain", and the word "city" in Jiangcheng has the meaning of offering a pen, and the word "Ding Miao" is as thick as a rock and as thin as a hairspring, and the word "snuff" condenses into a whole, just like a silver lamp. The last word "Xiang" is unique, different from all previous calligraphers. So this word has been included in China Calligraphy Dictionary. You can see that a man named "Mr. Shi Dong" is mentioned in the inscription. This Mr. Shi, whose name is Pukou, is a talented teenager in Ming Dynasty. /kloc-juren aged 0/4,/kloc-Jinshi aged 0/8. It is said that when he was young, his father used to carry him around his neck. Neighbors joked that he wanted to "turn his father into a horse", so he answered "I hope my son will become a dragon". After winning the Jinshi, the imperial court once sent him to Jiangxi as the examiner to compete in the ancient examination field. He must pass the tinker before entering the examination room. He had a pillar planted among the tinkers with a row of scissors on it. After the examinee enters the examination room shed, he just doesn't give questions. These candidates were caught off guard and didn't know what to do. When Shi Huai saw this situation, he ordered everyone to go out and then turn back. It turned out that there was a neat row of scissors on the pillar, and the word "Qi Jian Broken Wood" was homophonic. It's about Qin's, Wang Jian's and Lian Po's, and Zhao's Li Mu's comrades-in-arms. However, none of the candidates who read the dead book thought of what to do if they failed the exam. As the saying goes, "dragons don't crush local strongmen", and the candidates should teach Shi Huai a lesson. It is said that monks and Taoists have foresight. A monk invited Shi Huai to visit the temple, and the two of them sat around a stone table. There are four small plates on the table, with dates, pears, ginger and watermelons. The man looking for him caught up with him. A candidate saw that he couldn't catch up, so he stood on the shore and shouted, "The tiger is still there." The implication is that tigers in Shi Huai can't beat my green hills. With the tiger gone, my castle peak still stands. However, the youthful Shi Huai also stood at the bow and shouted, "Come again."

Cui Yuelou of Qiu Yushan Painting and Calligraphy Institute is the training base for Pukou teenagers, while Moxiang Pavilion and Poetry Pavilion on the left are for painting and calligraphy lovers to exhibit and learn skills.