Twelve Dream of Red Mansions in Taixu Wonderland
A, a dream of red mansions preface) open HarmonyOS system, who is the feeling kind? It's all about romance. Take advantage of this helpless day, sad day, lonely day, try to send off your stupidity. So, in fact, a Dream of Red Mansions, which expresses this kind of sorrow for gold and jade. ?
Note: This is the prelude to the twelve songs of A Dream of Red Mansions, which leads to the twelve songs and is also the summary and prompt of these twelve songs. This overture explains the origin of A Dream of Red Mansions. Here, the author Cao Xueqin expressed his "stupidity" in a fairy tone. It is true that Cao Xueqin wrote "romantic feelings" in A Dream of Red Mansions, which showed the love between Bao and Dai. However, this kind of love is not a "gifted scholar and beautiful woman" love, but a pure love based on the rebellion against feudal ethics. Therefore, Mourning for Gold and Jade is neither a description of "fantasy" nor a work of "love repentance", but a profound theme of "Heaven" in the last days of feudal society is expressed through the love stories of young men and women. The author's "stupidity" is an ideological contradiction that the author intentionally makes up for "Heaven" but cannot make up for it.
Second, (lifelong mistake) Baochai's entanglement: Du Dao is a good marriage, and I only saw the Mushi Qianmeng. Across the sky, the mountains are crystal clear with snow; I will never forget the lonely forest in the world. Sighing about the world is a fly in the ointment. Even in Qi Mei, it's hard to understand!
Note: Jinyuliangyin refers to the marriage between Baoyu and Baochai. In the novel, it is written that Xue Baochai's gold lock was "given by the monk", and the two auspicious words engraved on it are "a pair of seals carved by the monk" and "a pair" on the psychic jade that Jia Baoyu got when he was born. Aunt Xue also said, "The golden lock was given by a monk. Only when there is jade in the future can you get married. " Those who hold the "anti-feudalism theory of a dream of red mansions" believe that this marriage is a so-called happy marriage that conforms to the feudal order and the interests of feudal families. Jin Yu: semantic pun, which is both valuable and refers to Baochai and Baoyu. Wood and stone, meaning pun, are opposite to "golden jade" and refer to Daiyu and Baoyu.
The former alliance of wood and stone: the opposite of "good marriage" refers to the love between Jia Baoyu and Lin Daiyu due to their previous alliance. The author fictionalized the old love story of Bao and Dai before their death: the crimson pearl grass rewarded the waiter with wine and wanted to "return his life with tears." These two sentences are similar to what Baoyu once shouted in his dream, "What is a good marriage? I prefer to say that it is a good marriage between wood and stone" (the 36th time), but "I only look at the alliance between wood and stone" should be a copy of what Baoyu said after marriage. Those who hold the "anti-feudalism theory of a dream of red mansions" believe that Bao Dai's love affair is based on * * * resisting feudal ethics.
This song intones Lin Daiyu and Xue Baochai in Jia Baoyu's tone. "Today's Liang Yin" and "Snow Crystal" refer to Xue Baochai. Because she has Huang Jinbao and psychic treasure, "snow" is "Xue". Meng Qian in Wood and Stone and Lonely Forest refer to Lin Daiyu. Because Baoyu was originally named Jade, and Lin Daiyu was originally named Jiangzhucao.
Baochai is a "nobleman in the mountain", that is, she is a stupid figure; Daiyu is a "fairy on earth", that is, she has a dust-free temper. The former is often highly appreciated by servants, while the latter is often highly appreciated by scholars. Baoyu thinks that these overly prominent personalities have both advantages and disadvantages. Baoyu has complicated feelings for them.
Third, (virtual eyebrow) Baodi: one is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in this life; If you say there is a strange fate, how does your mind eventually become empty? One is futile, and the other is alarmist. One is the moon in the water, and the other is the flower in the mirror. I don't know how many tears there are in my eyes, how to stop autumn from flowing to winter and spring from flowing to summer!
Note: This is Bao Dai, Lin Daiyu is a fairy, and Jia Baoyu is a flawless jade. The word "you" in "If there is no strange fate, meet again in this life" points out that Bao Dai and her have met in previous lives, that is, the nectar between Shen Ying, the waiter of Chixia Palace, and the crimson pearl grass beside Sansheng Stone, so this life is the second time. One is the moon in the water, and the other is the flower in the mirror. "The first sentence is character; The last sentence is that society, the moon in the water and the flowers in the mirror are all illusory, just like their love. The theory of the benefit of dew and the return of tears is relative to the last sentence, "think about how many tears are in your eyes, how can you stop autumn from flowing to winter and spring from flowing to summer!" "
Fourth, (I hate impermanence) Jia Yuanchun: I like splendor and I hate impermanence. Just watch and throw everything away. Wandering leisurely, consuming the fragrant soul. Looking around, the road is long, and the mountains are high. So, I told my parents in my dream: My son's life is in the grave, and my family needs to step back and leave early!
Note: Jiafu ranks first among the four families because it has the most wealth and power, and this is because it has a big backer-Jia Yuanchun to ensure this position, and because of her, Jiafu, a respected minister for generations, has become a relative of the country. Therefore, the first half of the novel focuses on the plots of "only choosing the Phoenix Jujube Palace", "sealing the virtuous princess" and "Yuan Chun's relatives", trying to describe the scene of Jia Fu's "cooking with fire and blooming flowers". However, "luxury is enviable, but parting is embarrassing." Who knows the joys, sorrows and sorrows when you win a hollow reputation? "Let's look at the scene where Yuan Chun went home to meet his relatives in a private room. Behind the "glory", we can see the tragic situation of the separation of flesh and blood. Yuan Chun said something crying, describing the Imperial Palace ouchi as a "shady place" with no interest, just like walking out of a place imprisoned by claustrophobia. Cao Xueqin's powerful brushwork reveals the glory envied by the feudal class, which is still an abyss for an aristocratic woman like Jia Yuanchun, who has to pay the price of losing her freedom. She herself was completely the victim of the internal struggle of the feudal ruling class. In this way, Cao Xueqin, who claimed to be "non-interference in the current situation", boldly opened a corner of the political curtain, allowing people to see the dirty activities of various factions in the feudal ruling group from the ups and downs of a feudal family. The profound meaning of Jia Tanchun's sentence "I wish you ate me and I ate you" can also be understood from this aspect.
Verb (abbreviation of verb) (separation of flesh and blood) Jia Tanchun: Sail three thousand stormy roads and join the family of flesh and blood. I'm afraid crying will damage my old age. Tell my parents not to worry. Poverty has been fixed since ancient times, and there is no chance of clutch. From now on, we will be divided into two places, each keeping safe. I want it back, don't get involved!
Note: She is smart, scheming and decisive. Even Wang Xifeng and Mrs. Wang are afraid of her and let her go. In her consciousness, the feudal hierarchy of master and servant is particularly deep. Jia Fu was on the verge of collapse, and Jia Tanchun was deeply touched. She wants to save the decline of this feudal family with a small reform of "promoting advantages and eliminating disadvantages", but it can only be exhausted and fishing in vain. In chapter 94 of the book, several withered begonia trees suddenly opened in October, but the Jia family was so happy that they even prepared a banquet and invited everyone to enjoy the flowers. Tanchun is proficient in the way of the world, and he has a bad feeling: if you go with it, you will prosper, but if you go against it, you will die. Everyone knows your luck, and it appears from time to time. This flower will not be a good sign. For people like Jia Tanchun, the author has class preference and class sympathy. However, the author did not violate the objective authenticity of history and characters, but still described this image very deeply and truthfully wrote the inevitable outcome of her "born in the last days".
Six, (sadness in music) Shi Xiangyun: In infancy, parents sighed and died. Living in the jungle, who knows how to pet it? Fortunately, natural heroes are generous and never care about their children's affairs. In that way, the moonlight was bright in Yutang. My fellow has both talent and beauty, and won for a long time. When he was young, he must have folded into a bumpy shape. Finally, the clouds disappeared and the water dried up the Xiangjiang River. This is how many ups and downs in the world, so why be sad!
Note: In A Dream of Red Mansions, Shi Xiangyun is the liveliest girl in the Grand View Garden. Her greatest feature is "heroic, generous and generous", and she has never been saddened by young children. Xue Baochai sang opera on her birthday, and Wang Xifeng said that Xiao Dan was like a person. Xue Baochai has seen it, smiling without a word; Jia Baoyu also guessed, but dared not say; Shi Xiangyun blurted out: "It looks like Sister Lin!" Inadvertently offended Lin Daiyu, causing an interesting little quarrel. As for her drunken lying in peony flowers, she is a great beauty in a dream of red mansions. In the last three sentences, the author thinks that Shi Xiangyun has such a personality, his talent is not under Xue Baochai and Lin Daiyu, and he deserves to have a husband who loves him all his life to make up for his childhood misfortune. However, things are always unsatisfactory. "The final cloud is high and the Tang Dynasty is high, and the water is dry in Xiangjiang River." Married life is not happy. Shi Xiangyun is an open-minded person and will be open-minded about it. Therefore, he concluded: "This is the number of ups and downs in the world, so why be sad!" It can be seen that the ending of Xiangyun is also tragic.
Seven, (things are unbearable) Miaoyu: temperament is as beautiful as orchid, and talent is better than fairy. There is little natural loneliness. Your way is disgusting meat, and you think it is vulgar to continue the frontier. But I don't know that people who are too tall are more likely to be jealous. They are too clean to share the suspicion. Alas, the people in the ancient temple of Deng Qing are getting old; I failed. The pink floor is full of spring colors. In the end, I'm ashamed and go against your wishes. In that way, the flawless white jade was stuck in the mud; Why, the prince sighed!
Note: Miao Yu is an outstanding talented woman who knows everything about poetry, books, piano and chess. Shi Xiangyun and Lin Daiyu respectfully asked Miaoyu when they were admiring the moon and writing poems. Lin Daiyu also called Miaoyu a "poetic fairy" and usually did not compliment anyone easily. Miaoyu is obsessed with cleanliness. She wants to wash the place where Granny Liu stood with water, and she is not allowed to send water to the front of the temple. It seems a little unreasonable. However, considering Miaoyu's background and circumstances, this character is understandable. She was born in an official family, extremely intelligent, and isolated from the world since childhood. No one can understand her pain. She happened to live in the Grand View Garden, and the aristocratic ladies around her lived a bustling life, while she was clearly guarding Deng Qing's ancient Buddha, knocking on the wooden fish to chant Buddhist scriptures and meditating like a mummy. Although she is only a teenage girl, her fate is very cruel. If Jia's daughters have a sweet life to remember in the future, Miao won't even have this little comfort, and it will be painful to the end. In the end, she ended up miserable, robbed and defiled by a group of thieves.
Jia Yingchun: Zhongshan Wolf, a ruthless beast, completely forgot the reason for the day. Blindly arrogant, lustful and greedy. Look at that, Houmen banquet is the same as Liu Pu; For practitioners, government money is as obscene as money. Sigh sweet soul, carry leisurely swing!
Note: In the novel, Jia Yingchun's tragedy is caused by his father Jia She. Jia Yingchun lost his mother at an early age, but his father Jia She and Mrs. Xing did not pity him. According to Sun Shaozu, it was Jia She who owed bamboo slips five thousand pieces of silver and took Jia Yingchun to pay his debts. Although some people discouraged this marriage at the beginning, no one could help it, because the child's marriage depends on his parents. The author has called Sun Shaozu "Zhongshan Wolf" many times because he is an out-and-out villain.
On the surface, Jia Yingchun was eaten by "Zhongshan Wolf, heartless beast", but in fact, it was the whole feudal patriarchal clan system that swallowed her up. In the daughter country of Grand View Garden, Jia Yingchun is a typical representative, and she became a victim of feudal arranged marriage. Through her unfortunate ending, the author accused the evil of this marriage system and exposed the dark reality of feudal society.
Nine, (Virtual Flower Enlightenment) Jia Xichun: See through the three spring, how to treat the pink and green? Knock out youth and find a bright sky. Say what? There are many peaches in the sky and many apricots in the cloud. Who survived the autumn? Look, people in baiyang village are sobbing, and ghosts are singing under the green maple forest. What's more, even the grass covers the grave. What's more, yesterday's poor people and today's rich people have worked hard, and spring is at first, and Qiu Guang is at first. Like this, who can escape life and death? According to the news, the precious trees in the west are called whirling trees with lasting fruits.
Note: In the novel, Jia Xichun is the youngest of the Jia sisters. Jia Zheng sent Jia Yuanchun to the palace to worship his ancestors and lost his youth and life in that "shady" place; Jia She threw Jia Yingchun into Sun Shaozu's den, and he died of torture a year later. Jia Tanchun, a talented person, married to a foreign country like a broken kite. The unfortunate ending of the three sisters and the declining fate of the four families made her worried about her future. As everything in reality lost its appeal to her, she had the idea of dying. Subjectively, the surrounding environment has also shaped her aloof and indifferent character, which is a typical expression of egoistic world outlook. People say that she is a "heartless person", and her own philosophy of life is "I only know that protecting me is enough". All this made Jia Xichun see through the world of mortals and escape into an empty net. Sadness in the heart is greater than death. This song expresses her despair of real life. What a beautiful spring, what a beautiful peach and apricot, all the splendor is fleeting and will eventually go to the grave. Therefore, she chose an escapist road to "lie alone beside the ancient Deng Qing Buddha"
X. (Clever Lei Ming) Wang Xifeng: This institution is too clever to calculate the green life. Heartbroken before death, ethereal after death. It is better to have a rich family, but eventually a family will die and everyone will go their separate ways. Waste of time, half a century hanging in my mind. It's like three nights and a dream. Suddenly like the first floor, suddenly like Yi Deng. Ah! One happy and one sad. Sigh the world, it's hard to decide!
Note: Wang Xifeng is the actual ruler of Jiafu. She was in charge of the Rong Guo mansion, assisted the Ning Guo mansion, and was also a traffic officer, doing whatever she wanted. This is a very political figure, not a housewife of an ordinary aristocratic family. Her distinctive feature is "playing power", grasping power in one hand and money in the other. Wang Xifeng is the leading "last-time talent" among the four families. During her several years in power, she tried her best to change the situation and was cruel and mean, but failed to save the Jia family.
Xi。 Jia: Stay, stay, and suddenly meet a benefactor; Lucky mother, lucky mother, accumulate yin work. Persuade life, help the poor, don't be a cruel uncle like me who loves money and forgets flesh and blood! It's multiplication, division, addition and subtraction, with the sky on it.
Note: After Jia's scandal was exposed, Wang Xifeng was found guilty, and her daughter Jia was cheated and betrayed by her cruel uncle and brother and lived in Yanhua Lane. Jia Lian and his wife, father and daughter, "the family died." Later, Jia was lucky to meet the help of the benefactor granny Liu, which saved her from death. In the case of "falling apart", the intrigue between Jia's masters has developed into flesh and blood. By that time, people who are willing to lend a helping hand are all little people who are looked down upon, such as Jia Yun, Xiaohong and Xue Qian. Granny Liu, once ridiculed by Jia Fu, is not only a witness to the rise and fall of Jia Fu, but also a person who can really help Jia Fu. Saving Jia, who was sold as a prostitute, from the fire pit was nothing more than paying money to plead, and granny Liu was not easy either. Then, recruiting a fireworks woman as a daughter-in-law (besides, Jia has no other way out) is even more under the great pressure of feudal morality. In fact, this is exactly where the ideological quality of a rural working woman shows at a critical moment, which is far higher than that of the upper ruling class who ostensibly maintains hypocritical feudal morality.
12. (Late adolescence) Li Wan: Kindness in the mirror is more worthy of fame in dreams! That beautiful youth went to He Xun! Don't mention the embroidery account again. Only by wearing a pearl crown and a phoenix coat can we resist impermanence. Although it is, life should not suffer from old age and poverty, but also need to accumulate children and grandchildren. Wearing a tassel on his head, wearing a tassel on his head, and having a gold seal on his chest; Wei Hehe, Mr. Lu, Wei Hehe, Mr. Lu, faint and miserable, near the yellow road. Can ancient generals still exist? In name only, everyone respects each other.
Note: The title of the song "Late Youth" literally means glory in old age, but what it really means is that the good times come too late. Li Wan was present at many important events in A Dream of Red Mansions, but she can only play the role of "beating gongs and drums" forever, leaving no special impression on readers. This may be in line with her status and ideological character-the eldest sister-in-law of Rongguofu, a widow who abides by feudal ethics and stands aloof from the world, is never satisfied and refuses to get involved in the whirlpool of contradictions and struggles. This is a typical wife and mother, a wife and mother in feudal society, and a reflection of the female morality of "three obedience and four virtues". In Qing Dynasty, Taoist guardians advocated Zhu Cheng Neo-Confucianism and women's chastity, and women were more oppressed by the feudal "four ropes". People like Li Wan, in the eyes of the rulers, are fully qualified to be respected, set up a memorial archway and be included in the Biography of Women Heroes. Although "impermanent life" didn't give her more opportunities to enjoy belated happiness, she got the wealth and glory of "a phoenix crown and a summer gown" before her death, which can be used as proof that people who are selfless in heaven and chaste all their lives will get retribution. Cao Xueqin, on the other hand, chose to include her in the book "Unfortunate Division", saying that all this was just "joking with people", a bold challenge to the traditional concept of Confucianism and the brilliant democratic thought transmitted from the darkness of the feudal kingdom.
13. Qin Keqing: Painting Liang Chun with incense dust. Being good at amorous feelings and grasping the moon phase is the foundation of losing home. Losing power is respectful, and the death of family affairs is the original sin. Always because of love.
Note: Qin Keqing was originally an orphan who was abandoned in Yangshengtang. Since entering the Jia family, she has fallen into the abyss of sin. Her destruction is the result of the corruption of Jia's masters' lives, and Jia Zhen is the first evil. Qin Keqing had a dream for search before she died, suggesting that Jia Fu's luck had run out and told her to prepare her own posterior approach. This is also a foreshadowing in the full text. Qin Keqing tells the ultimate fate of the characters. This song about Jia pays attention to the whole Jia family. Cao Xueqin attributed the decline of this "century-old family" to Jia Jing's absurdity and laissez-faire, which led to incest and promiscuity in Ningfu. Qin Keqing's death marked the end of the feudal dynasty. Cao Xueqin's handling has greatly deepened the sense of historical depth of Qin Keqing's tragic story, and made this work have a deeper and broader social significance.
Fourteen, (the bird is thrown into the forest) is an official, and the family business is dying; Wealth, gold and silver; If you are kind, you will survive; Ruthless, retribution is clear; If you owe your life, your life has been repaid; Those who owe tears have exhausted their tears. Revenge is not light, and it's all settled. If you want to know about past lives, you are really lucky to be rich when you are old. He who sees through escapes into an empty net; Obsessed, lost his life in vain. Just like eating all the birds and throwing them into the forest, the land is so clean!
Note: This song is a summary of the twelve songs of A Dream of Red Mansions and the tragic fate of many women in Grand View Garden. The following are the life experiences, personalities and endings of twelve women. It summarizes the drastic changes of aristocratic families represented by Jia family at the end of feudal society, and shows the historical trend that the whole feudal system and feudal class are accelerating towards extinction. Lin Xue's family business has declined; Jia Jia's family is very rich, but they have always been extravagant; Qiaojie survived when she met a benefactor; Miaoyu looked at the world coldly and ended up in mud; Jia Yingchun paid off his debts and married Sun Shaozu, who was tortured to death; Lin Daiyu rebelled against feudal ethics and died in tears for Baoyu. . Jia Tanchun was forced to avoid disaster and marry far away; Yuan Chun's body was sealed in the imperial concubine's arms, and he came to no good end. Jia Xichun sees through the world of mortals, cuts his hair for Ni, and escapes into an empty net; Wang Xifeng insisted on her own opinions and tried her best to die in the end. All these things, all kinds, are separated from each other. So the author's conclusion is: "It's like eating all the birds and throwing them into the forest. It's so clean to fall on the white earth! "