Whether it is Sheng or Luo Niangniang, what they want is a place to recuperate, which is why they regard their husbands as leaders. And advanced modern concepts (all through women) will make them show a different side in the process of being with their husbands.
The fate is the same: I can't choose my future. Maybe my husband is not demanding of an ordinary girl. Their performance surprised them as if they had found a treasure. Of course, it is impossible for an ordinary woman to marry Hou Fu, so Gu's first wife Yu and Xu Lingyi's first wife Yuan Niang were written by the author.
Both Sheng and Luo Shiyang are married to Hou Fu to fill the house, which accords with the impossibility of an ordinary woman and is also the theme of the novel. A traveling woman with modern ideas has no talent to change her planned destiny. Their requirements are not high, they just want to find a place to maintain, so they will look for Tang Sai's husband with the attitude of treating the boss.
From my personal point of view, the context and plot setting of the latter is obviously better than the former, but after the remake into a plot, the level of the novel is more patterned than that of the novel.
For the first wife, having a house in the first room is nothing more than one thing. Spoiling and killing a wife is a common topic in Zhihu. Whether it is the husband of the old lady or the husband of the old lady, or even the people in the uncle's family of the Prince, there is a habit of spoiling my wife for various reasons, but this is not true.
In ancient times, the first wife of a large family would not take concubines seriously, not to mention the status of the eldest daughter who was born in Houfu like the old lady Sheng. Although men will love concubines, they will put their ex-wives first. Assuming that their ex-wives don't arrange for concubines to serve, their husbands can't spend the night in concubines' rooms at will. Moreover, assuming that the first wife has not given birth to her first son, concubines and concubines should always take pill-avoiding soup, and only with the permission of concubines can concubines stop taking drugs. Therefore, like Xu Lin's cream, having a baby quietly with Yi Sheng is totally a slap in the face of the wife and the family. This operation is unlikely to happen.
Don't underestimate the position of the first wife in ancient times. It's not nonsense that men are outside and women are inside. A clear division of labor between men and women is conducive to family development, so it is almost impossible to spoil and kill a wife.
The real situation of illegitimate children and illegitimate daughters, the concubine room is just a slave with a higher status than the servant girl. Sheng's identity is not really illegitimate. She was brought up by the old lady Sheng, but she was a little more noble than her eldest daughter. And Mo Ran and ChengChangFeng also raised beside Lin Xiaoniang. Ancient illegitimate children were not treated like this. All the children born in my concubine's room are the children of my ex-wife. They are decent masters of the family, and the aunt or servant girl who gave birth to them is just a single slave. When they see their children, they must salute.
Of course, illegitimate children tend to be secretly inclined to menstruation, but they dare not make public. Because of their fate, marriage is entirely in the hands of their decent mother. Like Moran, there are few opportunities to find a man for yourself. Neither the concubine nor the children themselves have the right to express their opinions on their marital affairs. Therefore, when Mrs. Luo married in Houfu, she had to visit her fifth aunt, and she had to get the first wife's consent before she could say to her, "Although it's not as good as parenting, I was born in October ..."
Even if the concubines are married, there is no coercion to the original match. First of all, their aunt is still in the house. On the other hand, the solemn rules of ancient principles also make it necessary for them to be honest. On the other hand, a married daughter actually has to rely on her parents' talents to get the attention of her husband's family.
From the past history, Jin Xin was more cautious, and Jin Xin was more cautious. No matter from the standpoint of his first wife or the real situation of ordinary children, it was more in line with the real situation of ancient families. For example, in ancient times, if you still had the concept of lifelong love, it was really ridiculous. Therefore, whether it is Sheng or Luo Niang, they never care whether their husbands have concubines or not, because that is a normal job.
Regardless of Aunt Tong's death, Xu Lingyi has three aunts. I'm a little confused here, too. In ancient times, men had to be served by women every night. Is it for the sake of carrying on the family line, or is it a physiological need? As far as I guess, it's just a rainy day. My first wife doesn't care so much about my concubine. For them, the concubine room and the whole room are just things to help themselves. Even if she accidentally gets pregnant, it's her own child. In the future, no matter what you think or what you look like, you should treat her as your mother.
Therefore, the degree between the adaptation of the plot and the respect for originality should be well grasped. There is no doubt that the screenwriter of Know No hasn't changed much on the basis of the original work, but Jin Xin Ru Yu has completely turned into a love film in ancient costume, and many roles have been abandoned, such as the third wife of the Xu family, the queen of the palace and the eldest sister-in-law of Luo Shiyang.
The absence of these characters will reduce the richness of the plot and of course save the cost and time of photography. However, this is all in direct proportion. Without more time and energy, it is difficult to restore the brilliance in the original work. Of course, this did not stop the fire of Heart as Jade, but it could have done better.