Poplar, a middle-aged man, is the personal driver of Tang Hong, a single female boss, with her 18 year-old daughter Poplar. In adolescence, she was willful and had constant contradictions with poplars. Tang Hong has never been married. Although pursued by local boss Meng Laicai, she loves poplar and cares for poplar seedlings. For the sake of identity, the honest poplar has been reluctant to accept Tang Hong's love. Under the design of her daughter, Yang Shu met Gu Jingjing, a young girl who looks like her ex-wife, and they had a good impression on each other.
Poplar was thus sandwiched between Tang Hong and Gu Jingjing, and a series of comedy stories were staged. Later, when his ex-wife returned to China, Yang Shu let go of his obsession with her. In the process of getting along with Tang Hong, Yang Shu saw her feelings clearly and faced her love bravely, and they finally came together. After Gu Jingjing met Meng Laicai, the two people who admired each other also developed sincere feelings, and finally the four of them returned to their respective places.
Extended data
One servant and two masters has become a hot topic for the audience because of its focus on "different love". In addition to the striking "master-servant love" in Zhang Jiayi and Yan Ni's plays, Jiang Shuying's female No.2 Gu Jingjing is a representative of contemporary independent leftover women. This image of "material girl" who worships money and hopes to have true love has aroused the disgust of many viewers. Some people think that pretending to be pure is not as good as really worshiping money, while others say that this role is very real and has made holes for everyone.
The theme song of the play is Stephanie's famous work Meet. After Zhang Yao's reinterpretation and interpretation, it is integrated with the emotions in the play, giving it a new emotional color, which not only highlights the theme of loneliness, waiting and confusion, but also describes the emotions with sound lines, thus rehabilitating Gu Jingjing, an atypical "gold digger" in the play. The lyrics and tunes of the theme song are in contrast with the audience's doubts about Gu Jingjing, which reveals more calmly the tolerance, understanding and cherish of such women.