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Why did Guo Qilin worship Yu Qian as a teacher instead of learning crosstalk from his father?
My dad is my dad, so I can't learn from him. It doesn't matter who I learn from. It is a reward for the audience to learn from others. You are an unparalleled genius. Listening will be your ability.

However, when you enter this business and eat this bowl of rice, you have to worship the teacher's door. Only in this industry can you admit that you belong to this door, and your name is only on the pedigree. Even if this master doesn't teach you for a day, you should confess, that is, thank you for bringing you in and giving you food.

Because the golden partnership is very good, children worship each other.

Crosstalk is a very difficult thing, and talent comes first. Everyone comes into contact with it in daily life. Some people will listen to boring things and become humorous when they say them. Think about what others say, and you will have a taste. Someone can laugh at him, laugh at jokes all over the world, and he can tell you that it's painful. In private, this phenomenon will be magnified many times on the stage.

Laughter is contagious, so is silence. If you don't grasp a link well, it's useless to spit lotus flowers behind your back in an instant.

Therefore, the champion's head is very important, which can cover up the failed part and rekindle the successful place. Teasing this head will make your mouth slip off and lose its cleanliness. What can be called famous is not 100, but 50. Take teachers as an example, 50 years is rare. Of course, in terms of ability, it can't be compared with the old people before liberation. But as far as winning its talent is concerned, the effect on the stage is hard to find.

Lao Guo's talent is not very high, and his language rhythm and intonation are average, but Lao Guo is a diligent worker and has made great efforts. So what he does can also catch people, and after listening to it, he can feel the meaning behind it. Of course, no one is perfect, and I still hope that they can develop their strengths and avoid their weaknesses and produce classic works.

I agree with Lao Guo, not because I am so good that I let my peers set me off. Lao Guo's past sufferings are his wealth. Without them, his things could not be so solid and touch the art of the older generation. But you had to say it, and you didn't. At least, the grasp of timbre, size and language rhythm, compared with the actors of the same generation, can still hear the obvious gap. It's not different styles, but there is still a lot of room for improvement. It's just that in this state, there can't be a second study as mentioned in the storytelling. It's really good.

Recently, I listened to something in Lao Guo's mouth intermittently, but I didn't polish it too much or rushed it. In this position, the master has left. Well, I should still ask the old gentleman. Many colleagues are not as good as him, and I can't say. What about the audience? Also a layman, I can hear the meaning, but I don't get to the point.

Lao Guo's monologue, a classic monologue after the oil spill, is really good, not to say that it is good to listen to others, but to see it as a program, which is really good.

When telling a story, the characters jump in and out, and the characters change and are not clear. It sounds a little messy, and the tone is not given, and the change is very pale. I feel that when telling stories, the overall tone is a little high, or the local tone is relatively stable, and the rhythm and speech speed are relatively slow, which is still better.

Recommended by peers, Yellow Crane Tower and Wu Wen in Lao Guo are very good. Listen to it ten times, twenty times, thirty times and fifty times and you can still laugh.

There are also two classic treatments for money brothers. Lao Guo said, ladies and gentlemen, I ask you, are you willing to do it for the sake of art? Brother Qian's first classic is timid handling. If that's what you want to say, I will. The second way is forced. The audience shouted "Yes" and drowned out the actors' voices, so we had to adopt the second way and shout "I'd like to".

If the audience can hold steady for a second or two, personally, this kind of handling of timidity and the cooperation between the two can be called a classic handed down from generation to generation.

Kirin has made rapid progress in the last two years. Come on.

Nonsense, right? Laugh it off, hehe.