Xin Qiji

Crossing the mountains, seemingly strange, is known in the past.

I still remember that I traveled all over the south and north of the Yangtze River in my dream.

You must take an employee to a beautiful place. How many lives can you save?

Laughing at the dust and toiling, it takes thirty-nine years to be a guest.

Wu Chudi is from the southeast.

Heroes, enemies of Cao Liu.

Blown away by the west wind, there is no trace.

Louguan is an adult, and the flag is white before it is rolled.

Sighing the world, turning sorrow into joy and looking for each other, today is still the past.

Appreciation of Xin Qiji's Ci

This word was written at the same time as "Water Tune Song Tou" (the setting sun fills the dust). Jiang Xing, Jane Yang Jiweng and Zhou Xianxian were written by the author when he left Yangzhou. Today, there are several poems by Yang (Ji Weng), among which "Spring in Jin Dian" has "fame and fortune, separated by clouds; Heroic companion, Southeast ","Ask Yuqiao, learn to do your old job, from today on "and other words, although rhyming with this word is different, but the artistic conception is the same and the spirit is the same. Or the rhyme of the word. "This word can be divided into three layers.

The top film is the first floor, which is caused by the mountains and rivers seen during the trip along the river, and regrets the past. There are beautiful mountains and rivers in the middle and lower reaches of the Yangtze River. At the beginning of Xin Qiji's return to the south, he roamed Wu Chu from the first year of Avenue to the third year of Avenue, and his whereabouts were all over the country, so he was familiar with the mountains and rivers in this area. Dalu was sentenced to build Kangfu for four years, then became a local official, frequently mobilized, and bid farewell to landscapes for ten years. Seeing Sichuan again today "seems to be an old acquaintance". "Xishan" is called "passing by", but when looking at the mountain, it seems to be coming to meet you. This is the feeling of a river trip. "Strangeness" is an unrecognized sense of superiority and the initial feeling of reunion after a long separation. Although I remember the past, it is vague, just like an old dream.

"Remember and build a journey across the north and south of the great river", and "dream" is not only a wonderful contrast between reality and reality, but also a true portrayal of psychological feelings. This kind of trance-like thinking is an unfulfilled ambition for many years. I'm tired of the results of business trips. Repeatedly pondering the above sentence has actually covered up the meaning of "dust labor" and it feels wrong. Above the officialdom, it is often like a landscape. It's better to stay away from each other than to be familiar with each other. At the same time, it has become a powerful call, a call from nature. So, the next two sentences read: "If you want to go with a staff member, how many lives can you save?" If you want to explore the beautiful scenery of mountains and rivers, you have to climb up, and you must "carry sticks" and "hold bricks" (a kind of wooden shoes).

"Shi Shuo Xin Yu Liang Ya" contains a good story of Ruan Fu. He said, "How many (two) stories have you known in your life?" It means that life is short and impermanent, but words are open-minded and humorous. Here is used to change the meaning slightly, saying that the beauty of mountains and rivers is often in the distance, and it is inevitable to wear more shoes, but this is nothing! Therefore, in contrast, the phrase "Laugh away the dust and work hard for thirty-nine years" is to apply the phrase that Chi (a doctor who defended the country in the Spring and Autumn Period) is fifty years old and knows that he is forty-nine years old (from Huai Nan Zi Yuan Dao Xun). The author was forty years old, so he said this sentence. On the surface, this is self-mockery because it wastes one's time. Is it actually your own destiny? The word "being a guest for a long time" is deeply worried and resentful, and it contains depression in a broad sense. In fact, it is the author's feelings over the past 40 years. It has been 40 years since he returned to the south, but none of his previous wishes have come true. I feel that today is yesterday, and I have worked hard all my life. It turns out that "being a guest" is entirely my own.

This paragraph of six sentences has another meaning, which is caused by mountains and rivers and ancient heroic deeds. The land of Zhang Yu in the upper reaches of Yangzhou has always been called Wu Tou Chu Wei. "Wu Chu Di, Southeast Tile" uses Du Fu's poem ("Climbing Yueyang Tower": "There is Wu in the east and Chu in the south") to express the grandeur of the southeast region seen by Jiang Xing. Such mountains and rivers remind the author of the heroes of the Three Kingdoms, especially Sun Quan, who stood in the northeast and south and refused to be a strong enemy, which made him admire the most. Cao Cao once said to Liu Bei, "The only heroes in the world today are the monarch and Cao." (reflection. "Ancestor Biography") and Sun Quan can compete with it. The four sentences written here are brilliant in literary talent and passionate, implying the author's lofty sentiments. The phrase "blown away by the west wind, there is no trace of the past" has both lament and admiration. I wish I could not remind the ancients of the significance of following it in Jiuquan, which is also implied in this sentence.

The last few sentences are the third floor, which combines the above two meanings and is more lively. "Louguan has just come of age" inherits the nostalgia, and uses Su Shi's poem "Lou Chengjun has gone, and the personnel are safer" ("Farewell to Zheng Hucao") to imply that Sun Quan died in a hurry after the inheritance of Wu. "The flag turned white before the Northern Expedition" inherited the sadness of the past, which came from people and themselves. "Flag" refers to the battle flag, which means that one's hair turned white before the Northern Expedition.

Combining the two, the poet came to a helpless conclusion: the joys and sorrows of the world have never flowed through ("looking for the opposite phase"), but "now is still the past" This conclusion is fatalistic and the author's unexplained explanation of fate. It is also the author who laments that fate is not satisfactory and personnel are more obedient.

On the one hand, it expresses the weariness of official career-"Laughing at the dust and toiling for thirty-nine years", on the other hand, it looks back at the achievements of ancient heroes and deeply feels that "the banner is white before it is rolled", which reflects the author's ambivalence at that time. Although it is because of Jiang Xing's feelings, the words do not focus on the scenery, but always express their feelings directly; Although the language is implicit, it is purely direct without metaphor. This technique is completely different from the traditional emphasis on grace and comparison. However, because the author is a combination of realistic political feelings and nostalgic feelings, he points out the mountains and rivers, discusses them vertically and horizontally, expresses his anguish in his chest, and drives ancient poetry to write, which makes him feel strong and full of feelings. The so-called "heart full" has its own moving power.

● Man Jiang Hong Ti Lengquan Pavilion

Xin Qiji

Straight section, crown and tassel arched.

Gradually, the Green Valley and the Immortal descend to the east, and the sound is urgent.

Who believes in the heavenly wind enclave and opens the blue wall near the lake?

It was in those days that no one made mistakes in cutting the square pot.

The mountains are wet and humid.

Autumn dew, Joan drops.

Passing through the dangerous pavilion, the jade garden is bright.

Drunk dancing shakes the couple's shadow, and heroic songs don't send dragons to cry.

I hate this. The scenery is my home, and now I'm a guest.

Appreciation of Xin Qiji's Ci

After returning to the south, the author worked as an official in Lin 'an for three times, but the time was short. In the summer and May of the sixth year of Dadao (1 170), when the author was thirty-one, he served as the main book of Sinong Temple. For seven years, Chunshan knows Chuzhou. This period of time is the longer of the three times, and this word may have been written in Hangzhou this time.

The Cold Spring Pavilion was built by Tang Lashiyuan under Feilai Peak in front of Lingyin Temple in Hangzhou. Bai Juyi's Cold Spring Pavilion said: "Yuhang County is in the southeast; As far as the county seat is concerned, Lingyin Temple is especially important. Next to the temple, the cold spring pavilion is one. The pavilion is located halfway up the mountain in the southwest corner of the temple. Not too high, not too wide, not too tired. However, it is rarely found and it is impossible to hide. " Not only close to Lingyin Temple and Feilai Peak, but also close to Denggao, Tianzhu, Taoguang Temple and Beifeng. The first part of the word is about the mountains and ice peaks near Lengquan Pavilion. Write down the activities and feelings of Tanting Pavilion.

Uptown is written from top to bottom, from nearby mountains and streams.

"The straight section is open, look at the top of the tunnel." It is said that tall trees lined up neatly on both sides of the mountain road, like officials wearing crowns and tassels, are tall and straight. This is personification in rhetoric; Syntactically, the descriptive sentence comes before the main sentence. "Tall and straight" refers to the "arched" trees standing upright and upside down, forming an abrupt and majestic momentum, pinning the author's interest; The second sentence, like the previous one, describes the lush foliage of trees. "Gradually, the Green Valley Fairy descended to the east, and it was urgent." It is said that the spring water flowing in the green valleys on both sides gradually flows down, and the sound is as loud as the ring on the fairy's clothes. Its meaning comes from Liu Zongyuan's "Small Hill and Small Stone Pond West": "The sound of water can be heard across the bamboo, like a ringing ring." This is also anthropomorphic writing. On the first floor, officials lined up to imitate roadside trees, which was magnificent, but it was difficult for readers to understand and a bit obscure; This layer of contrast, from coarse to fine, has a natural and beautiful image and is easier to understand. "Xin ci is full of talents, often regardless of thickness", handy, but flexible to control. Here is a typical example. The following four sentences take Feilaifeng as the center, and the word "who believes" leads to the end. Feilai peak is not high, but the situation is as strange as a vulture. The Annals of Spring Tour in Lin 'an is quoted from Yan Shu's The Jade Emperor: "In the first year of Golden Crane, a monk went to Dengzi Mountain and sighed:" This is the ridge of Zhuguoling Mountain in Zhongtian, and I don't know when to fly. When the Buddha was alive, he was mostly hidden by fairies. Is it the same today? Lingyin Temple, named Feilaifeng, was built by Diaoxi. "Rock has names such as Xiaolong, Benxiang, Khufu and Jingyi, because it feels high from a distance." The heavenly wind enclave flies in the shape of "beside the lake", which means "a thousands of feet" on the shore of the West Lake. Its height: "Clear the wall" means a mountain peak, and it bears the word "sky wind falls": "open" means "fly". Who believes that "the two sentences describing Feilaifeng are magnificent, but compared with the first two sentences, the meaning of the words is delicate, steep and not heavy." It was that year that Yufu cut the square pot, and no one knew. "Yu Fu refers to the axe of the immortal; Square pot, Liezi. One of the five mountains on the sea written by Tang Wen. Feilaifeng is like a sacred mountain carved by a fairy with "Yu Fu". Unfortunately, the vicissitudes of life have changed over time, and now no one can figure out its origin and appearance to supplement the explanation and description of Feilaifeng, and the tone has become harmonious.

The grass is wet, wet. "Under the Autumn Dew, Zhu Qiong Drips", writing the wood and stone beside the pavilion. Lavida, beautiful stone; Zhu Qiong is autumn dew. Because autumn dew drips like pearls, all the wood and stones are wet. These four sentences are parallel in form, but there is a causal relationship between them. "Bi Cheng Yuyuan Garden crossed the dangerous building. "The first sentence is a pavilion, and the second sentence is a cold spring, and the autumn water is as clear as jasper.

The above words, the tone is still very comfortable with the rest of the beat "Drunk dancing shakes the couple's shadow, and Hao Ge doesn't send fish and dragons to cry. I wrote my own pavilion activities, which touched my pride and life experience, and my style turned into heroic and passionate. " The sentence of "drunken dance" is full of lofty sentiments, "husband and wife" is a metaphor, the sentence of "hogg" is full of emotions, and "fish dragon" is associated with spring water. "I hate this, the scenery is home, and now I am a guest." Why do drunken dances make sad "good songs", fearing that singing will make "Yulong" cry? These two sentences can explain its inherent complexity. The author's hometown is Licheng (present-day Jinan), which is a scenic spot of "every family springs and hangs on trees" in Shandong. There are 72 famous springs, some of which are called cold springs. There are many famous pavilions near Daming Lake and Baotu Spring, such as Lixia Pavilion, Shuixiang Pavilion, Shuixi Pavilion and Guanlan Pavilion. And there are also quite beautiful scenery, that is, the scenery around the Cold Spring Pavilion is similar to the author's hometown. Why is there "hate" because of this? The reason is that after the author returned to the south, the land lost in the north could not be recovered, which was not only difficult to pay, but also difficult to return to his hometown. I can only be a guest in the south for a long time and feel depressed, so I feel nostalgic and infinitely sad. If you want to get rid of this sadness, you can only sing and dance in drunkenness, but in fact you can't get rid of it. Words are plain and implicit, but "hate" is deep.

This kind of "hate" is not only related to personal homesickness, but also to the fate of the whole country and nation, which will naturally arouse strong resonance among readers. This word touches the author's homesickness with the scenery of the West Lake, associates with the sadness of the country and the nation, and expresses implicit grief and indignation. Writing landscape description forces Xiao, but opens and closes naturally. It is not deliberately managed by the author, but it can show the style, characteristics and skill of the author's words.

● Man Jianghong, Zheng Hengzhou, and then Fu.

Xin Qiji

Don't fold tea, save some spring.

Remember, plums are like beans, they are picked together.

I dreamed of flowers a few days later, and now I wake up to see the wind and the moon.

Hate peony and laugh at me leaning against the east wind, my head is like snow.

Elm pod array, calamus leaves.

The seasons change and prosperity is interrupted.

How to ban wind and rain, how to ban thrush!

Old China Liu is the habitat of bees and butterflies.

Not because of spring, but because of parting.

Appreciation of Xin Qiji's Ci

This is a unique farewell speech. Zheng is about to go to Hengzhou, and the author is going to bid farewell to him. During the dinner, he first wrote a "Water Tune Song Tou", but the meaning was still unfinished, so he made this song "Man Jiang Hong", so the word "Fu" was added to the title.

It is difficult to write two farewell words at the farewell banquet. They should have their own characteristics and be identical. The author seems effortless. So these two words have stood the test of time and have been passed down to this day.

In order to explore the mystery of art from comparison, let's take a look at Mink Head: cold food is not small, and thousands of people ride spring shirts. Hengyang Shigu, remember my old station. It is bounded by Xiaoxiang Guiling, and there are Dongting grass and Zigaiyi in the southwest. Words are elegant and elegant, and swords turn into silkworms. See your majesty, this matter will be extraordinary. After several classes, you can talk from top to bottom. Mo Xinjun's door Wan Li, is to make five folk songs, a letter to the phoenix title. I'll drink when you leave, and the moon will become three.

Starting with describing the natural landscape and humanistic tradition of Hengzhou, I hope Zheng can revitalize the culture, develop the economy, enrich the country and benefit the people, and show his own economy, thus winning the praise of the people and the attention of the court. I didn't say goodbye until the end. Heroic words are written in an endless stream, vast and magnificent, without losing the true colors of bold words.

It's enough to have such a good word for you, but what's the use of "re-assigning" a poem "Man Jiang Hong"? It is not difficult to see that the author has forged a deep friendship with Zheng after reading this poem "Red River", and the farewell party dragged on for a long time. First, I wrote "Water Tune" to encourage people from the perspective of "the benevolent teaches people to speak", but the sad people have their own arms. Although I wanted to say goodbye, I finally had to vomit, so I made this song "Man Jiang Hong".

Since the Book of Songs, farewell works have appeared constantly, and the list is endless. It is difficult for mediocre writers to jump out of the trap of their predecessors; However, the author's Red River is conscious, empty, novel in angle and strange in conception. Apart from the conclusion, the whole article didn't mention farewell at all, and naturally it didn't write farewell. Instead, it focuses on the scene of late spring, expressing the deep sigh of cherishing, seeing off and hurting spring because of the scenery. When it coincides with the conclusion, everything written before is related to parting, which has far-reaching significance and far exceeds the scope of farewell.

At the beginning of Shangcheng, he wrote in a dissuasive tone: "Don't fold tea!" It seems that someone wants to give a discount, and the consequences will be serious immediately. This is a magic pen! "Tea", also written as "tea", blooms in late spring and early summer, so Su Shi said at the beginning of Du Yi's visit to Wuchang to see Buddha springs with flowers: "Tea does not compete for spring, and loneliness blooms at the latest." People who cherish spring often lament that it is too late to bloom. As soon as the author spoke, he advised people not to make tea, in order to "retain" the last "spring scenery". It is certainly wishful thinking to try to keep "spring scenery" with "not folding tea". However, the more infatuated the heart, the more real and moving it is. This is one of the important characteristics that distinguishes literature and art from natural science and even other social sciences.

At the beginning, it was not clearly given away, but actually pointed out that the season of giving away was late spring, and then it was led out by Remember, dating back to "green plums are like bean willows, * * * I picked them together". Yan Feng once said in "Drunken Peach Garden": "When the spring in Nanyuan is strong, ... green plums are like peas and eyebrows. It can be seen that "green plums are like beans" is the scenery in "spring half". Picking plums together, I saw peony in full bloom, elm money falling, and calamus spitting leaves. The four seasons are constantly changing, and now they are all busy, leaving only a few mouthfuls of "tea"! Even if it is "not folded", the sound of wind and rain, the sound of thrush, and the "spring scenery" seem to be lingering. " Thrushcross sings in early summer. "Li Sao" says: "I am afraid that the thrush will bloom first, which will make my husband's grass not fragrant." Zhang Xian's "Swing Years Old" says: "Smell a few thrushes and report to Fang Fei to rest. "。" Jiang Kui's Pipa Fairy says, "Spring is getting far away, Tingzhou is green, and a few more cries are added. "The author came to change seasons, and then the prosperous times rested." How can we ban wind and rain, how can we ban blackbirds! "It shows infinite worries about the only remaining" spring scenery ". In composition, it echoes the beginning from a distance.

Shang Kun wrote Looking at Flowers, and compared the sober eyes of today with the drunken dreams of few days. "Now" I look at flowers with "sober eyes", but flowers "laugh at my head like snow", which can be "hated". Times have changed, and "flowers" and "willows" are also "old". Naturally, they no longer "laugh at me", but needless to say, I am also old, so who should I "hate"? "Old Ran Ran flowers * * * willows, live in bees and butterflies" are two sentences, a pair of workers and a new policeman.

What's the use of "flowers" defeating "Liu" when "bees" and "butterflies" are still busy and refuse to turn off their phones? At the end of the Spring and Autumn Period, I was busy reviving Zhoushi. A man named Wei Shengmu didn't understand and asked, "What is autumn?" Here, the author applies the words describing Confucius to "bees" and "butterflies", which is meaningful.

None of the above descriptions involve farewell dinner. At the end, the author suddenly changed his pen and wrote "I have no worries about spring" because I left. "This came to an abrupt end, leaving readers with a series of suspense and questions.

The whole sentence is thrilling, and the secret is that the meaning of each sentence is both interesting and interesting. For example, "don't fold tea, leave a little spring" is written so solemnly and profoundly that people feel that there must be another meaning besides its own meaning. Others, such as "Wake Up and See the Wind and Moon", "How to Ban Wind and Rain, How to Ban Thrush", "It's a Hummingbutterfly" and so on.

Is the "flower" that he exhorts people to "not fold" just the "tea" that blooms in late spring and early summer? Is the "spring scenery" that he tried to retain but disappeared in the wind and rain and partridge singing just the "spring scenery" in natural scenery? Don't wind, rain and partridges remind you of many personnel and political problems? This is the first floor.

With the change of seasons, people's hair becomes as white as snow. The deep sorrow that permeates between the lines is obviously caused by "spring going", but it has nothing to do with "spring going"; It's not important to just "leave because of parting", just put the word "leisure" before the word "worry". This cannot but be thought-provoking. This is the second floor.

The author argued against gold, and put forward a set of policies and specific measures to resist gold. However, because the capitulator controlled the state affairs, he was hit by all sides. At the end of the eighth year of Xichun (1 18 1), he was demoted to an Anfu ambassador on Jiangnan West Road and had to live in the lake (Shangrao, Jiangxi) for ten years. Although he is in a difficult period, he is at a loss. According to textual research, the two words that sent Zheng to Hengzhou were written in fifteen years, belonging to "No Lake". He first wrote "Water Tune Song Tou" to encourage Zheng to make a difference; Then, I deeply felt that political corruption, power rape and national mistakes, the nomads from the army is increasingly rampant, I can't serve the country, and it is difficult to realize my ambition of recovering the Central Plains and reunifying the motherland! So I wrote this poem "Red River" with mixed feelings, which combined "Spring Going" and "Farewell" into one, touching the scene and used it in the metaphor of Xing, with far-reaching implications. The present situation and future of the country, personal hopes and disappointments are beyond words. "Idle worry" is actually that this "worry" is not understood, although "worry" is also futile. The feeling of anger is dull, but its connotation is profound. His well-known "Fishing" begins with "It is better to hurry back to spring than to go through many storms", and ends with "Leisure is the most bitter, don't lean on the dangerous fence, and the sunset is at the willow heartbroken place", which can be seen from this word.

● Man Jiang Hong Hunchun

Xin Qiji

I live in the south of the Yangtze River, and I have had a cold food.

In the flower garden, there was a storm and a mess.

The red powder darkens with the running water, and the garden gradually feels clear and dense.

Every year, the Erythrina flowers fall, and the cold is weak.

The yard was quiet and empty.

There is nothing to say, nothing to worry about.

I am afraid of stray Inging and Swallow, and I know the news.

Now, Lv Yun is gone.

Teach people, be ashamed to go upstairs, be flat and green.

Appreciation of Xin Qiji's Ci

Jiaxuan's morphemes are famous for their boldness, but there are also some subtle chapters close to grace. Gaida's writer is not just a pen and ink. They can fill in the lyrics according to the different contents and the needs of expression, just like painting the "follower" of the so-called "six methods". From the point of view of word spectrum, Manjianghong uses rhyme and is interspersed with three-character short sentences, so its tone is complex, and it advocates cadence, which is suitable for expressing impassioned feelings, and bold poets are also happy to use it. Yue Wumu's Anger can be used as a model specimen. However, earlier, He used this song to write lyrics entitled "Hurt Haruka", which expressed his deep feelings for this song, but it was Xin Jiaxuan who inherited its tradition.

This word, which describes the "leisure worry" of hurting spring and hating other things, belongs to the most common content in Song Ci: the first part focuses on scenery, and the second part focuses on lyric, which is also the most commonly used long-tune composition. It is very common and commonly used, so it is easy to stick to the rules, but if you appreciate the word carefully, it is not conventional, has new characteristics, euphemistic, but not soft; Good, but uneven. It's all because of bone strength that we have achieved this step. Specifically, every sentence has its "bone", which is meaningful and weighty, enough to attract attention; The "strength" born in the bones is enough to support every sentence and arouse the whole article, "I live in Jiangnan and have passed the Qingming Cold Food Festival". In this sentence, the word "Jiangnan" is bone. When this word is associated with the topic, it can arouse readers' rich associations: early spring in the south of the Yangtze River, beautiful scenery, thousands of miles of warblers singing, red and green contrast, rivers and mountains, wine flags fluttering in the wind, flowers and trees growing in late spring, and grass growing with warblers flying. In addition to causing reproduction, bone has another function to show its strength. From "flowers in the path, some wind and rain, some chaos", we can see that the word "chaos" in this sentence is its bone. From this word, readers seem to feel a violent and violent force. In contrast, Meng Haoran's so-called "but remembering the wind and rain tonight, I don't know how many flowers have been folded" is dull, while Li Qingzhao's so-called "whether you know it or not, it should be green and fat and thin" is only euphemistic, but the strong bone strength of the word "messy" here can clearly see that "the red powder is dark with the running water, and the garden plants are getting clearer and denser", and its bones are "dark with" and "gradually" In these two places, "bone" shows its toughness, and it is used as "tendon". The author spread the scene of "green manure, red thinness" into a 14-character couplet, eliminating old words and creating new ideas, so he deliberately focused on the junction of its turning point, and the angle was better than that of the previous sages. "follow in the dark" without knowing it: "gradually realize" that it is already there. It is ingenious to express the time series and the passage of festivals through human cognitive process. "number of years"

In the following words, choose a Erythrina flower as a supplement and turn it into truth. The word "cold and weak" is quite new to life, and it is where "bone" lies. Cold makes flowers thin. So I can't attach branches, so I have to fall with the wind, and I won't clear the lush shade and green leaves, if I can shine on the branches. The contrast between cold flowers and dense leaves can also make people think that if we can combine the author's situation and mood, it is not absurd to say that it implies a metaphor that a gentleman is frustrated and a villain is successful. As far as composition is concerned, the implied metaphor here is the transition from describing the scenery with an upward shovel to expressing feelings with a downward shovel, which is particularly intriguing, because it can be hidden only by content.

You can express your inner sadness without meeting the beautiful cover you think. "The yard is quiet and empty. The four short sentences of "nothing to say, nothing to say" are just to point out the word "leisure". Leisure is the most common word in Song poetry, and its meaning is also the most uncertain, which is a "vague concept". Poets often refer to extremely deep feelings and indescribable and unspeakable worries as leisure worries. If readers want to explore its specific meaning and understand its "fuzziness", they must combine the historical background, the author's life and other related materials to make an investigation, and almost make a reasonable inference. The author's so-called leisure in this word is due to his political frustration caused by his failure to reuse himself for the Southern Song Dynasty court, his failure to display his ambition to save the country and his exclusion by the capitulators. Based on this, "I am afraid of street warblers, and I know the news", but I hate the gossip of traitors and the meaning of hitting people when they are down. The combination of "Su Su" and "Lv Yun", symbolized by beauty, expresses the desire and pursuit of ideals. However, the information does not come, there is no trace to be found, there is only a glimmer of hope, and sadness is still knotted. At the end of "teaching people is ashamed to go upstairs, flat and green", it is logical that the word "people" is an adverb of mood, with a flexible meaning. Here, it is close to the word "Hun", which means "simplicity" and "reality". " Wu Pingbi "can be compared with Ouyang Xiu's sentence" Spring Mountains cover Wu Ping, pedestrians even go beyond Spring Mountains ",which means that even if you climb a tall building, you may see grass all over Sichuan. Jia Xuan's "Fishing" has a sentence "There is no way back at the end of the world", which means that the way back is blocked by Pingwu, and finally you can't meet the right person.

It is a coquettish tradition to compare happiness to sustenance. Song people mostly inherited this tradition when writing lyrics, and so did Ci. However, the poet's careful writing, each according to its own meaning, makes his works have the characteristics of "fuzziness"

This ambiguity not only does not damage the artistry of poetry, but sometimes becomes a factor that constitutes the artistic charm of poetry. The more vague and uncertain, the more intriguing. This seemingly strange phenomenon is a major feature of poetry art. As far as reader search is concerned, if you can get a general idea, enough is enough; If you think too deeply and seek too much truth and refuse to let go of every word, you will think that there are graves everywhere and it is inevitable to catch shadows.

● Manjianghong

Xin Qiji

Broken sorrow, outside the screen window, the wind shakes the bamboo.

People go to the empty building, the flute is broken, and people lean on the building alone.

Eyeful of March dusk, I only feel Qian Shan green when I look up.

But try to send a piece of paper to the book and read it from the beginning.

Acacia words, empty surplus; Acacia, when is enough?

Lapel fell a little, full of tears.

The grass is not lost, and weeping willows only hinder the human eye.

The most bitter thing is that the moon is full and the song is dry.

Appreciation of Xin Qiji's Ci

Judging from the tone, the first word seems to be written by a woman, which is probably the author's imaginary nostalgia for his lover. Uptown wrote, "Broken sorrow, outside the screen window, the wind shakes the bamboo." When the days are long and the weather is warm, both inside and outside the boudoir are quiet. Even the sound of bamboo blowing in front of the window will disturb the people in the boudoir, interrupt her meditation and break her sadness. The beauty of the environment sets off the loneliness and melancholy of the protagonist. "Break" not only embodies the movement in stillness, but also opposes stillness and movement: the word "Li" points out the feelings between the lines.

These two sentences are combined with scenery, with emphasis on scenery. Although it is the beginning, it is the most exquisite in the whole word. "After people go, they are broken, and people rely on the building alone." Write the protagonist's life state: the beloved person has left, and he is lonely and has no companion, so he has to look far from the building. Because no one appreciates it, he has no intention of playing the flute. "Going alone" and "being alone" are the reasons for "leaning against the building" and "playing the flute". The first word "person" is another person, the person the protagonist misses; The second word "person" is the hero himself. "I can't bear to see you in March, but I feel that Qian Shan is green." Inherited the sentence "leaning against the building", wrote the scenery you saw when you climbed the building, and pointed out the season. Although "Qian Shan Green" is lovely, Twilight in March means that spring is over and flowers are dying, which makes women who cherish their youth "full of eyes". The feeling. This shows the identity and personality characteristics of the protagonist. "But try to send a paper to the book and read it from the beginning. It says daily life; These two sentences are written in great detail. The protagonist kept reading letters from her lover from the beginning, which further showed her loneliness and boredom, and also began to deeply reveal her deep feelings of missing her lover. This is to write feelings through actions, and it is also the feelings in the matter.

Shang Kan wrote about scenery and things, but he didn't express his feelings directly. The word "acacia" is empty and full; Acacia, when is enough? "Speak your mind: the letter from your lover is full of the word" lovesickness ",which shows that he has not forgotten himself. The words in the letter can neither comfort nor satisfy his "lovesickness", but also include that he has no chance to talk to his lover about his lovesickness and can't get compensation.

I miss my lover. Besides reading letters, I try to comfort myself, but I still can't help crying. Little tears, like beads, dripped gently and constantly on Se, not only dyed her clothes red, but also almost "full". These two sentences reflect the identity and personality characteristics, and it can be seen that the protagonist is a woman. "Grass is not lost, weeping willows only hinder people's eyes", and then added lyricism with scenery. The phrase "fragrant grass" originated from Chu Ci. Recruit hermits "Wang Sun wanders away, grass grows and warblers fly" and develop. Compared with the symphonic poem "Catch a Fish", "Stay in the spring, read a story, and the grass is lost at the end of the world" (or "no return", synonymous), then the person who says "no return" has the meaning that it is not difficult to expect him to come back home: the sentence "weeping willows" means that willows grow thick in late spring, but they hinder people's horizons and make people unable to overlook. These two sentences are written on both sides, but their meanings are related. Because there is hope that tourists can return to their homes, they lean against the buildings, expecting or returning naturally; However, the word "only" has a strange and resentful emotional color. Blaming Yang for crying has no other function, but "only" plays a role in blocking people's sight. Two sentences spread the subtle feelings of missing the women in the building.

"The hardest thing is to stand at dusk." Finally, I am still engaged in China's love writing. The first sentence is from morning till night, and the second sentence echoes Uptown's "Leaning on the Building". The weeping willows covered their eyes, but they still stood by the railing upstairs until the moon came out at dusk. Therefore, the word "the most bitter" is fully modified, which not only expresses these two sentences in detail, but also expresses the feelings of the whole word in detail.

Fan Kai's Preface to Jia Xuan said that there are also works of "beautiful and graceful, graceful and graceful" in Xin Ci, and this boudoir poem is one of them. Liu Kezhuang's Preface to Xinjiaji said that Xin Ci was "not even under Xiaoyan and Qin Lang". However, it is exactly the same. Xin's personality is bold and unconstrained, and his brushwork is super strong. His erotic words are still more sad than hurt, not as slender and sad as those of Qin Guan and Yan. In short, they have their own strengths and weaknesses, so it's hard to underestimate the enemy.