This 65438+ 10 month can be said to be the autumn of sports, and it is really rare to concentrate so many kinds of sports works at one time in recent years.

Ministry of Magic Free Fight: Vividly Strike Professional Wrestling: Tiger Face W

Table tennis: hot table tennis girl

Tennis: Tennis is not funny.

Fitness: Animation! ! xx

Figure skating: Li Yong! ! ! On the ice

Ass sumo: for women! ! ! ! ! ! ! !

Football: All out! !

Volleyball: volleyball! ! Wu Ye High School VS Bai Niao Academy High School

Bike: Dragon Ride Girl Chess: March Lion

There are both traditional competitive works, competitive works with beautiful girl elements, non-competitive works with beautiful girl tea party style, non-competitive works selling meat, and pure spoof works unrelated to sports. It's really colorful, colorful and a hundred schools of thought contend.

State-owned assets grew steadily.

Another highlight of this season is that five state-owned animations have been broadcast in the Japanese market. Among them, Hero 2B is made in China, Prisoner of Time and Space is a joint venture between China and Japan, and Idol's Notebook, One Lesson and One Practice, Lion Ridge and Martial Arts: The Chaos of the Stars are also produced by the state-owned Nissan. Because of the spoof route, Hero 2B is relatively easy to accept even with different cultural backgrounds, and the response is good. There is still a gap between the production of Prisoner of Time and Space and Japanese late-night animation. The three films produced by Nissan, a joint venture, are all pure Japanese teams, and the production can reach the usual level of Japanese TV animation. Unfortunately, except Prisoner of Time is supported by Tencent's dad, and then the one-person schedule is 30 minutes animation, the other works are in the format of 15 minutes short animation (idol's notes are 15 minutes animation plus 15 minutes voice actor variety), which is quite a waste of the original plot. Moreover, it was only broadcast in the evening when the MX ratings in Tokyo were worrying, and it was not selected for the late-night file, nor was it placed on platforms such as Nico. But I believe that in another year or two, we will definitely see more confident state-owned animation and what kind of answers the "full-time master" can hand over.

Short animation holds up half the sky.

In recent years, Japanese TV animation is more and more inclined to the network, and more works are only broadcast on the network platform. Due to the characteristics of online viewing at any time, short stories (about 15 minutes) and even ultra-short animations (less than 5 minutes) suitable for fragmentation time feel increasing every quarter. There are 1 1 short animations and 20 ultra-short animations in this quarter, accounting for 40% of the total. As you can see, although there are more than 80 works in this quarter for the first time, almost all of them are short works. Subtract these short stories and it's almost the same as before.

But short stories don't mean low quality, so I don't want to talk about tennis. I can publish them in the eighth issue. My wife is the president of the student union, and magic girls and the like are enough, as well as animation exercises! ! XX "these works that make 30-minute quality animation are also sequels, and in the new work, the quality of" Strange Taro "is really beyond my expectation; ILCA's paintings of birds and beasts in the Warring States also made me shine. ILCA always makes such interesting things. The Iron Orchestra by Masahiko Tada is also a good attempt to do meta-animation. Not to mention Murakami Kistler's "Fruitful Monday", which everyone knows.

The magical girl is still hot, but there is no bright spot.

The anti-traditional witch craze that arose after "The Witch Circle" has not diminished, and there are also many witch animations this season.

The magic girl breeding plan that takes the escape route can only be said to be quite satisfactory. After all, it is an adaptation of light novels, and the theme is not novel. Personally, I don't think it's as interesting as "The Last Magic Girl", but the next series of magic girl breeding plans are not bad.

Although Izeta's level was good in the end, it was a bit embarrassing in the story. The description of the atmosphere of war is not as good as the girl's war. If you have seen The Girl Wars, you may not be satisfied with the ending. However, what is even more embarrassing is that judging from the currently released role setting diagram and PV of Young, the production level is probably much worse than the Final, which is really a tragedy. I wish I could be slapped.

Another military route, The Fearless Witch, is equally exquisite, and audiences who have fond memories of Assault Witch will inevitably have mixed feelings when watching 3D air combat. On the one hand, it is the general trend to use 3D, on the other hand, it is far from the witch who attacked the police. It is also the work of Sliver Link, Elijah the Magical Girl. I can only believe that the stock director Takamura Kazuhiro loves his ass. After all, the fourth sentence was postponed.

As a masterpiece of the armed magical girl, the latest series of "Magic Girl Naiye" is a vivid blow! Naiye became the vanguard of Naiye. While it has completely become a sports work, it has gradually established a new group of works with Vivio Takamachi's harmony as the core. I'm afraid I had this idea when Duzhu wrote Dog Day.

Finally, there are two original works of magical girls with different colors, Dressing as a Girl and Flipping the Flatter.

The official propaganda of Entanglement is "the magical girl with gentle breeze". When it comes to "gentle breeze", there is always a traditional feeling. Although the elements of "Beating the Upper Body" are a little thoughtful, "I will grow up after transformation" does have the flavor of returning to the tradition of "I am Britney Spears", but it is still very modern fun to become naked. In many works this season, the sense of existence is a bit low.

In contrast, Flip Flappers took the route of FLCL and JingSao opera painting, and didn't understand what was going on at all, but the scene looked cool. At the same time, the puzzle elements are set up, and the picture contains a lot of hidden information, which is the interest of the old otaku. It looks like I'm 20 years younger and I'm back in the 1990s. Unfortunately, the work lacks pride and has a convenient worldview setting, but it has not been let go. If only it could be as crazy as Puni Puni Poemy.

Little egg: childhood trilogy

This season, there are three works that I have worked hard since I was a child: Vivid Strike, Tiger Face W and Lo Shook Wixoss. From the current point of view, the routine is highly consistent: two little people have no guesses, encounter changes, go their separate ways, learn something, become strangers, and achieve the same goal by different routes. Interestingly, they are all same-sex childhood friends wwww.