Huang Bo made a surf with transparent materials. Come and have a look with me.
After winning 2.3 billion box office, the richest man in Xihong City was finally cut off by the island and ipartment this week.
Only three days after the release of these two new films, the group took away 654.38+billion box office, which was really terrible, turning the maw on Meg's poster that followed closely into a superficial bluff.
However, even fans give back to movies in different ways. Bo Huang really wants to use a good drama to realize self-expression buried in his heart for many years, but "ipartment" is to kill the goose that lays the golden egg and fabricate a fake movie to cash out the fan economy accumulated in 10 years.
Entertainment Xiaomei (ID: Baoyu _ 18) used to be a fan of ipartment, and spent her student life almost in the laughter and abuse of the whole apartment.
But when I grew up, I watched a lot of American and English dramas, only to find that those scenes that could make me laugh all day were used as body double flowers, so I recovered my mind from the fanaticism of fans.
But even so, at the beginning of the release of ipartment, I was full of expectations. After all, feelings are so unreasonable. In subways and gyms, I can always see people holding mobile phones to relive the familiar characters and frolicking scenes in ipartment.
At this time, the entertainment girl silently hopes that the main creator can only live up to the fans' heavy taste if he is serious and original. This time, however, they are no longer limited to copying jokes. The whole movie is a sheep's head selling dog meat.
The score of Douban 2.7 is completely the same as that of the coveted entertainment circle, and it is the operation of ipartment and Tomb Raider Notes.
It's not that the director and the screenwriter have the cheek to pull the three uncles of the Southern School with a thicker cheek to sell them and say, "I'm a fan and I want to show off." It's like drinking poison to quench thirst. The expectations of fans are actually very simple. They just want to meet those familiar people and watch the unfinished story in the play. As a result, they ran away with their youth for 10 years and were fed by worthless people.
Unlike ipartment, which broke 300 million yuan on the first day, the island really hit the bottom with a pig-like opponent through the counterattack of word of mouth. In the case of low film production in the early stage, The Sound topped the current single-day box office with high attendance and Douban score of 7.4.
No matter the total box office or the number of films, ipartment has been absolutely crushed, and with the continuous fermentation of word of mouth, the gap will widen.
Miss Entertainment came to see the island with the mentality of "going into the wild". I didn't expect Bo Huang to make an allegorical version of A Brief History of Mankind. To be honest, it was a bit unexpected.
Not much to say, let's take a look at it first. This is not a comedy in the standard sense, but an adult fairy tale wrapped in a comedy shell. The theme of magical realism still has a certain viewing depth.
If you like Bo Huang very much and are interested in this type of film, you can rest assured to try it early. If you just want to relax by watching a comedy, the island is not a suitable choice.
As a new director, Bo Huang's serious attitude can be seen from the quality of the film. Borg deserves 7.5 points, without boasting or praising the whole.
In fact, strictly speaking, this is not the first work directed by Bo Huang. As early as 20 12, he personally directed two experimental microfilms, Special Service and Life of 2B Youth.
The first satirizes self-pity and self-pity in this society with the voice of dogs and horses, and the second is the epitome of a society. He also took the opportunity to show off the director's skill and played a mirror from beginning to end.
It can be seen from these two "tinkering around the edges" that Huang Bo has a strong desire for self-expression and great ambition, so what he wanted to say was suppressed by Bo Huang for seven or eight years, and finally he got the island.
Ma Jin, played by Bo Huang, is the lowest-level nobody he is good at. He is deeply in debt and secretly loves his goddess colleague. He has an evil heart and doesn't have the courage to do something wishful thinking in private. To tell the truth, if this role is straightforward, there will be no breakthrough for Bo Huang, and it will soon become a real role.
Therefore, the director divorced the story from the framework of reality. In a group building activity organized by the company, Ma Jin found that his long-term purchase of lottery numbers won 60 million prizes. The excitement of falling from the sky has not dissipated, and the huge waves have poured a pot of cold water on him.
It turned out that a meteorite hit the earth, causing some meteorological anomalies, and the whole company was trapped on an isolated desert island.
The outside world may have collapsed. On this small island, which has lost all objective factors such as real class, status, wealth and system, 30 people trapped staged a process of social collective evolution.
This is a single environmental theme, which can also be called a single-act structure. The advantage of this design is that the story can be designed randomly.
However, the design of this framework is not novel. For example, the core of the story is very similar to Lord of the Flies by william golding, and the development rhythm of the story is very similar to Hello, Madman in previous years. You can always see the shadow of Welcome to Dongmo Village in individual scenes, but Bo Huang abruptly broke the story and pieced together a fable of his own.
The director divides the story on the island into three levels: survival instinct, material pursuit and spiritual satisfaction, and each level corresponds to an enlightener.
For example, when the resources on the island were scarce, people elected Xiao Wang, a tour guide with strong survival skills, as the team leader for food.
When Mr. Zhang discovered the resources on the sunken ship, in order to pursue more material satisfaction, everyone began to abide by the system and rules advocated by Mr. Zhang to survive.
It was not until the little star played by LAY generated electricity through other resources that everyone wanted to satisfy not only food and clothing, but also spiritual compensation.
So the director gave different material signs at each stage. In the initial stage, fish is the most instinctive purpose. In the second stage, wine became a higher pursuit destination. In the third stage, people began to have faith and purpose, resulting in unified costumes, unified slogans and carnival songs and dances.
These details are simply a dime a dozen. It can be seen that Bo Huang really took great pains in this drama.
But when watching the whole film, there will always be a feeling of overexertion, because the director has too many things to express, and he has to tell stories and be reasonable, and he has to have a sense of joy. In fact, any point is worth discussing.
I understand that this island, as the first novel of director Bo Huang, is too important. He wants to let everyone know his talent and connotation through this work, but the film is really not suitable for too much addition. Maybe the whole story will be more suitable for the carrier of drama.
In fact, one of the extreme manifestations is that Bo Huang used a lot of magic in a film that pursues true humanity.
For example, the blue whale in the waves, the sky view of the doomsday tornado when stranded in an isolated island, the big fish falling from the sky and the elf wings of Shu Qi.
These magicians' deep thinking about the pursuit of true touch will produce a sense of detachment from the inertia of thinking, which may be one of the reasons why some viewers spit out the rhythm.
The most brilliant design in the film is the formation of three different levels of social needs. Friends who have read A Brief History of Humanity will surely find that it has many similarities with the social form described in the book, but the way to promote this most wonderful place is far-fetched.
Except for Wang, who played the role of Wang, who was elected because of his panic after living on a desert island and his ignorance of the unknown environment, the other two enlighteners were finally successful in the upper position under the influence of sudden external factors.
Manager Zhang found an overturned cruise ship that no one had ever found before, but Ma Jin survived and finally became the leader with the flying fish that God exchanged.
This plot-driven persuasiveness is really unreasonable, and there will be a sense of separation between reality and magic, which will make the whole story incomplete.
But there is a great design. Xiao Wang, who used to be amiable and good-natured, became the king of tyrannical totalitarianism after becoming an enlightener. This design is very similar to a famous psychological experiment "Stanford Prison Experiment".
Usually, each of us has our own personality and code of conduct, but once we are forced to enter a role, we will not naturally show the expected behavior of the role, rather than the behavior reflected by our own personality, and our personality will disappear and be characterized.
When Xiao Wang was elected as the leader, he was no longer himself, so after Ma Jin took over as the new leader, Xiao Wang would lie on the stone and stretch comfortably, saying that he had not been so relaxed for a long time.
In addition, except for a few main actors, the group scenes of the whole film are obviously insufficient, and the rest of the employees' roles are copied from the script, and there is almost no plot to think for themselves. Acting logically is the most instinctive stress response to avoid disadvantages.
For these characters, it is not evolution, but degradation. But what is commendable is that the new director can well integrate the story context and self-expression, and the portrayal of group image can be enriched in one step.
Most movies are re-created out of reality, and there will inevitably be some logical bugs, some of which will not affect the viewing experience.
Just like when we open the refrigerator to get drinks at night, at the moment when the lights are on, we suddenly think of an unreasonable thing, which is called Hitchcock's refrigerator effect, and this island also has such problems.
Let's talk about the most obvious thing first. If the real world has not died out, then everything that happened on the island before seems extremely absurd and unreasonable.
A company of 30 people disappeared collectively, and travel agencies and employees' families seemed indifferent to their disappearance. Even so, when a cruise ship like this capsized, no body was washed ashore, and no one even came to look for the wreckage. This alone is a bit ridiculous.
However, for fans, the island still hides many surprises.
For example, the song "Deep Space" at the beginning and "Chatter Lastu said so" played on the island are appropriate tributes to "200 1 A Space Odyssey". At that moment, the entertainment young lady even had a secret joy of lighting matches with adults on her back.
Then lizards appeared on the island from time to time, just like a bystander who opened the perspective of God, quietly watching everything happening here, much like Kubrick's favorite Blackstone, and each appearance represented a change in human society.
Let's talk about the role of Shu Qi. To tell the truth, the positioning of this role is very embarrassing, and there is a feeling of inconsistency.
When I didn't feel much about Bo Huang in the early stage, my personality was not pleasing, and I even told everyone about the 60 million lottery ticket in Bo Huang's accident, which made the shortcomings of my personality too obvious.
Then there was a big reversal. When the dust settled, Bo Huang showed an unusually concerned attitude. There are some faults before and after this, but fortunately, the beauty in Shu Qi is still so delicate, and it is enough to be solely responsible for beauty and beauty.
Speaking of it, Bo Huang and Shu Qi are really destined. When Huang Bo just made his debut, he participated in Guan Hu's Get on the Bus and Let's Go, which is Bo Huang's first work.
There is a scene in which Bo Huang and Gao Hu, who speak authentic Qingdao southern dialect, are drunk and walking on the streets of Beijing, shouting "beauty, big girl" at the Shu Qi billboard posted next to the bus stop. At that time, Bo Huang and Shu Qi were two worlds without intersection.
Who would have thought that after many years, the two have cooperated in many works, and this time they directly played lovers. Sometimes fate can't be expressed in words.
Finally, give LAY a good compliment, lamb. For a small fresh meat, the good qualities such as hard work and seriousness are all floating clouds, and only the quality of the work that is finally presented will ultimately determine whether you can succeed.
LAY really gave me the biggest surprise this time, not to mention the perfection of acting, but it was definitely round and comfortable, especially when the last role was blackened, and there was a bite to hide the dagger in it. It seems that Bo Huang, as the winner of the Golden Horse Award, has made great achievements in cultivating actors.
In fact, as a director, Bo Huang wants to tell you a fairy tale this time.
There is no blood of death, only pure love, no status class, only greedy human nature, rational unscrupulous, emotional surrender. Man claims to be a rational creature, only to find himself a perceptual animal in the end.