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The Historical Position of Xi 'an Tang City Wall Ruins Park
In the construction of the ruins park, the planning framework of Chang 'an City in Sui and Tang Dynasties was highlighted, and the elements such as city wall, moat, city gate, square wall and city street were reproduced by engineering and technical means. The park is bounded by the ruins of the city wall, making full use of existing tree species, and dividing the park into different areas such as' inside the city' and' outside the city' through different greening and paving technologies. From the outside to the inside, it clearly shows the moat, city wall, Shuncheng Road, Li Fang and other spatial elements. At the same time, it illustrates the brilliant achievements of the Tang Dynasty in the fields of science and technology, culture, trade, international exchange and urban construction with the help of sculptures. The completion of Chang 'an Wall Ruins Park in Tang Dynasty has optimized the regional ecological environment, formed a large-scale natural oxygen bar, and purified the regional air. The landscaping and surrounding buildings complement each other and become a beautiful landscape in the high-tech zone.

July 2008 1 After the completion and opening of the Qujiangchi Ruins Park, the Tang City Wall Ruins Park and the Tang Dayi Temple Ruins Park, the happy old couple chose the clear sky in Wan Li to enjoy this new landscape known as "Qujiang, a humanistic paradise".

With calligraphy, sculpture and garden landscape as the means of expression, and the theme of Tang poetry characters and artistic conception display, it is a high-end place for citizens and tourists to enjoy art, culture and rest.

The total investment of Tang City Wall Ruins Park is about 500 million yuan. It combines ancient and modern, just like a green corridor extending in the southeast of Qujiang. The theme of Tang City Wall Ruins Park is "citizen, nature, leisure, health, art and enjoyment", which fully embodies the concept of serving citizens and enjoying art. With Tang poetry as the main line and calligraphy, sculpture, painting, arts and crafts and garden landscape as the means of expression, it is a leisure cultural corridor integrating poetry, philosophy, aesthetic experience and ecological garden. The Eighth Branch of the Tang City Wall Ruins Park focuses on the Tang poetry from the early Tang Dynasty to the prosperous Tang Dynasty, and extends to gardening artistic conception and landscape design.

Tang City Wall Ruins Park is like a jade belt, embedded in the bustling city of the ancient capital. It embodies the modern life of Xi people in ancient ruins, and the new concepts of ancient rhyme, new fashion and human settlement stand out. History and culture are best interpreted and spread here, and a harmonious ecological livable area is being formed here!

This is not only an innovative form to promote history and culture into citizens' lives, but also a useful exploration for the protection and utilization of historical sites. There are many amusement facilities and landscape designs in Tang City Wall Ruins Park, such as children's playground, fitness amusement park, chessboard rest area and music performance area. In particular, the "poetry-chanting altar" in the park is nicknamed "Echo Wall" in Xi 'an. When you stand in the center of the "poetry circle", even whispering can echo everywhere. There is also the "Maze of Tang Poetry", which is a highlight of the Tang City Wall Ruins Park.

Tang City Wall Ruins Park is an open gallery of Tang culture and art, which provides a high-grade place for citizens and tourists at home and abroad to enjoy art, culture and leisure.

Tang City Wall Ruins Park and Qujiangchi Ruins Park with Qujiangchi Ruins as the core;

Big Wild Goose Pagoda Square scenic spot with the site of Jixiang Temple in Tang Dynasty as the core;

Datang Furong Garden, a cultural relic park of the prosperous Tang Dynasty rebuilt on the former site of Qujiang Furong Garden in the Tang Dynasty;

Cold Kiln Ruins Park planned and constructed with Qujiang Cold Kiln Story as the origin;

Relying on Qin Ershi Mausoleum Cultural Relics Protection Site, Qin Ershi Mausoleum Heritage Park and other six heritage parks constitute a new world of leisure and entertainment in Qujiang New District. There are so many ruins parks in Qujiang 15.88 square kilometers, which are rare at home and abroad, showing the profound cultural heritage of Anhe Qujiang, turning historical and cultural heritage from hidden resources into dominant landscape, cultural relics into culture and sites into scenic spots. Qujiang New District will therefore become the first choice for people to watch, study, travel and experience the ancient capital culture, an ideal place for people to live in harmony with nature, history and modernity, environment and humanity, and a successful model for the protection and utilization of world sites.

As soon as I entered the park, I immediately felt the strong cultural atmosphere of Datang. The speakers scattered on the grass are constantly playing beautiful music and chanting poems and songs of the Tang Dynasty. Sculptures representing the life and culture of the Tang Dynasty were placed on the green lawn.

There is a sculpture door in the lawn, which is very distinctive. The west top is engraved with "unprecedented", and the left and right sides are Qinglong White Tiger. On the east side, there is the inscription "No Coming Later", and on the left and right are Suzaku and Xuanwu. The eight characters of seal script are "unprecedented" and "later", which are used to praise the achievements of the great poets in the Tang Dynasty.

From west to east, I traveled all over Tang Cheng Heritage Park, only to see that in the northeast corner of Tang Cheng Heritage Park, "She was still hiding half a face behind the guitar, and we called for a thousand times before she came to us". There are two ruins of the Tang City Wall, surrounded by glass walls more than one meter high, each about 18 square meters, which is the foundation part of the city wall. According to the description, the wall foundation is 3.8 meters to 3.9 meters wide and is rammed twice. The walls of the Tang dynasty were all built with rammed earth, and the outside was not covered with bricks.

Someone hit the nail on the head and said: Tang City Wall Ruins Park has received rave reviews and many shortcomings. The biggest drawback is that the theme is not strong. It seems that this is the ocean of Tang poetry, and it is more appropriate to say that it is a theme park of Tang poetry. It is difficult for tourists to find these two small city wall sites without paying attention. If we can mark a wall on the ground and use murals to represent the walls and towers of the Tang Dynasty, it will be easier to give people an intuitive feeling.