Lishu originated in the third century BC and matured around the peak of stone carving. It is a kind of character (font) evolved from the pre-seal script. No font and official script show great confusion and complexity in concept and writing. Of course, there is no font that chatters like official script: ancient, modern, Qin, Fen, historical books, eight points, Kaili, San, Wei and official script.
In this regard, commentators have no intention of finding fault with the definition of this concept. It must be noted that official script is a kind of practical writing from difficult to easy, from complicated to simple, and even evolved into practical writing. The History of Books summarizes this transformation process as "official change".
Spatial structure of books:
On the premise of following the principles of Chinese font and stroke order, the stippling lines of calligraphy cross-combine and divide the space to form the spatial structure of calligraphy. The spatial structure includes three parts: single word structure, whole line circulation and overall layout. The structure of a single word requires neatness, plainness, length and density balance.
In this way, on the basis of caring for the truth, we can pay attention to the decay, intricate changes, natural image, danger in peace and interest in danger. In the whole line of popular calligraphy works, the characters are connected up and down (or before and after), forming a "linking", which requires inheritance from top to bottom and consistency. Although the static characters such as regular script, official script and seal script are independent, the strokes are broken and connected. Running script, cursive script and other dynamic characters can be word for word, with hairspring traction.