Therefore, there are three meanings in the poem: one is xing, the other is comparison, and the third is fu. The text is full of meaning, but also prosperous; Because things are metaphorical, they are better than others; Straight book, fable writing, fu also. The triple meanings of macro-philosophy, properly used, dry by the wind and moist by the color of Dan, make those who taste infinite and those who smell it tempted, which is the ultimate of poetry. If you are good at metaphor, you will suffer from deep affection, and deep affection will make a slip of the tongue. If you use Fu, you will suffer from floating; When you float, the words will be scattered, the play will flow, the words will never stop, and you will be tired.

Five-character poems occupy an important position in poetry, and are the most tasteful of all kinds of poems, so they are suitable for the tastes of the world. Isn't this because five-character poems are the most detailed and appropriate in describing things, portraying images, expressing feelings and writing landscapes? Originally, there are three ways to create poetry: one is to stimulate, the other is to compare, and the third is to give. Words are limited, and words mean something. This is Xing. This is a metaphor. Write it directly and send it to you. This is Fu. Give full play to the role of these "three meanings", use them properly, take the wind as the center and polish them with words; It makes people who ponder it feel memorable and deeply moved by its irony, which is the highest achievement of poetry. If poetry is devoted to metaphor, the problem lies in its profound meaning; If the meaning is profound, the words will not flow smoothly. If you only use fu, the problem lies in shallow meaning; If the meaning is shallow, the words will be loose, frivolous and flashy, and the words will have nowhere to go, which will inevitably become a burden.

An important poetic viewpoint in Preface to Poetry. It contains the following important poetic viewpoints:

First, the theory of "chanting temperament". Zhong Rong has a profound understanding of the relationship between poetry and people's feelings, and puts forward that the animal Qi is touching, so it dances in various forms.

Secondly, Zhong Rong's sense of things contains the meaning of real life. The reason why the poet's temperament is shaken should be the touch and feeling of nature and social life on the poet. He said:

If it is spring breeze, birds in spring, autumn moon in Qiu Chan, summer rain in Xia Yun and Leng Yue in winter, all poets will feel the four seasons. Jiahui will send poems to relatives and leave poems to blame. As for the defected country, Han concubine resigned from the palace. Or the bone is horizontal and the soul is flying. Or negative ge wai garrison, kill the public side. When the guest's clothes are stuffed, the widow's tears will flow out. Or a scholar who thanked her for going out to Korea. It is good for a woman to have a young moth, and then she looks forward to dumping her country. How can all kinds of responses, the soul of feeling, and non-Chen poems show their meaning? Why not Long song? Therefore, as the saying goes, "Poetry can be resentful." It is nothing more than poetry to let the poor live a comfortable life and make seclusion boring.

Third, the theory of "direct reading" and "natural English purpose". Zhong Rong advocates that nature is the highest aesthetic principle in poetry creation, and puts forward the theories of "seeking the purpose directly" and "natural English purpose"

Fourth, "Poetry has three meanings". "Poetry has three meanings" is Zhong Rong's general requirement for literary creation. Zhong Rong said: "Therefore, poetry has three meanings: one is prosperity, the other is comparison, and the third is fu." Zhong Rong's theory of "three meanings" comes from the theory of "six meanings" in the preface to poetry, but it has new theoretical contributions. He changed the order of traditional Fu to Xing, highlighted the position of Xing and expanded the connotation of Xing.

Fifth, the theory of "taste". Zhong Rong put forward the theory that "poetry has three meanings", and thought that the key to make poetry have "flavor" is to comprehensively use the writing methods of "Fu, Bi and Xing". How to use "three meanings" comprehensively? In the "three meanings", he put "Xing" in the first place and comprehensively applied it, highlighting the artistic thinking characteristics of poetry.

Zhong Rong's Poetry is the originator of ancient poetry talks, so it is also called the originator of poetry talks in one hundred generations. The direct way of thinking, the method of image criticism and the poetic category of literary theory it adopted had a far-reaching influence on the development and maturity of the poetic characteristics of China's ancient literary theory. (The above author is unknown)

Reference: ftsy.lszyzz.com/yjlw/YJLW/BAA/200601/427.html.